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Thousands and Thousands of Lovers examines the spiritual significance of community to the Cistercian nuns of Helfta—a concern that lies at the heart of the monastery’s literature. Focusing on a woefully understudied resource and the largest body of female-authored writings in the thirteenth century, this book offers insight into the religious preoccupations of a theologically expert and intellectually vibrant cloister to reveal a subtle interplay between communal practice and private piety, other-directed attention, and inward-religious impulse. It considers the nuns’ attitudes toward community among themselves and with their household members as well as with souls in purgatory and the saints.
This book is a study of the programmatic oral performance of the written word and its impact on art and text. Communal singing and reading of the Latin texts that formed the core of Christian ritual and belief consumed many hours of the Benedictine monk's day. These texts-read and sung out loud, memorized, and copied into manuscripts-were often illustrated by the very same monks who participated in the choir liturgy. The meaning of these illustrations sometimes only becomes clear when they are read in the context of the texts these monks heard read. The earliest manuscripts of Cîteaux, copied and illuminated at the same time that the new monastery's liturgy was being reformed, demonstrate the transformation of aural experience to visual and textual legacy.
For three decades, Monastic Practices has been a valued resource for English-speaking aspirants to monastic life. In this revised edition, updated and expanded, Charles Cummings, OCSO, explores the common practices of the monastic life in order to rediscover them as viable means of leading persons to a deeper encounter with God. How do monks and nuns occupy themselves throughout the day? Have they modernized their lifestyle or is it still cluttered with medieval customs? Could any of the monastic practices be of use to those outside the monastery? A certain wisdom is necessary to know how to use such practices and how to give oneself to them until they lead one to God. After long monastic experience, Cummings shows us how the ordinary things we do constitute our path to God. In the art of living life, he argues, we are always beginners, searching for God through our concrete circumstances and actions.
A sketch of the unique tradition of the 'white monks' as they have sought 'men and women alike' to leave all things to follow the Gospel. The paths leading to the monastery are diverse. But one day they will all converge and form a singe Way, meeting in him who said, "I am the Way", and "No one can come to the Father but me". The Christian who becomes a monk is seeking no other way than this. What he makes his own is what he has seen and heard in the words and deeds of Jesus. As Saint Benedict said in the Prologue to this Rule [for Monasteries], "Let us set out on this way with the Gospel for our guide...". In saying this, saint Benedict is saying no more than Saint John, who said, "We must live the same kind of life that Christ lived".