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The Secret History Of Modernism
A chance meeting has New Zealand writer Laszlo Winter thinking back to his time in London in the late 1950s. The Empire might be in a state of collapse, but for young 'colonials', England remains a mythical place that draws them from the farthest corners of the globe. There was Australian Samantha Conlan, clever, desirable, hopelessly in love with married Jewish New Zealander Freddy Goldstein, who carried with him a dark history. Rajiv, an earnest young Indian at work on a study of Yeats and the Indian mind. The enigmatic Margot, whose bond with her athletic brother Mark troubled Laszlo in ways he didn't quite understand. Heather, the call girl with whom Laszlo exchanged lessons on Shakespea...
Collected Poems, 1951–2006: C. K. Stead
This collection of poetry culls Karl Stead’s most lasting and memorable works into a single volume. Drawn from previously published works though his distinguished career, from his debut collection Whether the Will is Free to his recent publication The Black River, this resource also contains 22 previously unpublished poems from his early days.
Talking About O'Dwyer
In his new bachelor flat, too close to comfort to his former family home, Mike Newall, Oxford don and Wittgenstein scholar seeks to rebuild his life, but feels increasingly weighed down by the past. When Donovan O'Dwyer, his colleague and fellow expatriate New Zealander dies, Newall attends the funeral. Afterwards, Newall reveals to his old friend Bertie Winterstoke the secret that O'Dwyer carried with him to his grave. During the battle for Crete in the Second World War, a soldier in New Zealand's Maori battalion died in harrowing circumstances. Believing his commanding officer, O'Dwyer, was responsible for the death, the soldier's family placed a makutu, a Maori curse, on him. Winterstoke ...
Five for the Symbol
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Last Season’s Man (Fast Fiction)
A tale of rivalry and the consequences of getting what we pray for.
Shelf Life
What ghost was being appeased? What wrong was being righted or sin atoned for? I didn’t know. It was all, this writing business – and had been since it first began when I was still at school – mysterious, possibly even neurotic. I knew only that for a moment the world which ‘out there’ seemed so imperfect, so ‘fallen’, so much less than the heart desired, ‘in here’ had been called to order. Every morning for the last thirty years, C. K. Stead has written fiction and poetry. Shelf Life collects the best of his afternoon work: reviews and essays, letters and diaries, lectures and opinion pieces. In this latest collection, a sequel to the successful Answering to the Language, The Writer at Work, and Book Self, Stead takes the reader through nine essays in ‘the Mansfield file’, collects works of criticism and review in ‘book talk’, writes in the ‘first person’ about everything from David Bain to Parnell, and finally offers some recent reflections on poetic laurels from his time as New Zealand poet laureate. Throughout, Stead is vintage Stead: clear, direct, intelligent, decisive, personal.
Book Self
For more than 40 years, C. K. Stead has been New Zealand's leading literary and cultural critic. Whether writing about Christianity or a trip to Croatia, he always brings a clear personal point of view, a strong analytical bent, and a witty pen to his work. In this latest collection of critical writing Book Self, a sequel to his successful books Kin of Place, Answering to the Language and The Writer at Work, Stead takes the reader on a personal journey, from his earliest discovery of poetry as a young man to his experiences on the literary trail over the last few years. And he takes us on a trip through literary history, from Katherine Mansfield and T. S. Eliot to Michael King and Elizabeth Knox. For the first time, Stead includes in this book a series of journal extracts that allow readers closer to the mind of the writer. 'Here the ego is exposed-not quite naked, but now and then with its shirt off,' he writes. In Book Self we see a great New Zealand critic at work - a writer with strong personal views about other writers and a deep commitment to the role of role of criticism in literary life.
My Name Was Judas
We all know the story of Jesus told by Matthew, Mark, Luke and John, but what about the version according to Judas? In this account, Judas tells the story as he remembers it. This is a story of friendship and rivalry, of a time of uncertainty and enquiry, a testing of belief, endurance and loyalty.
Plume of Bees
Plume Of Bees: a Literary Biography of C. K. Stead considers the temperament Stead brings to his art, and, conversely, the idiosyncrasies and preoccupations that are revealed through his work. The inquiry begins with an account of his childhood to seek situations or influences that may have contributed to his talent and ambition. As Plume of Bees develops, it focuses on reasons for the extremes of Stead's reputation, and for the fact that his reception in Britain often differs from that in New Zealand. Relying mainly on resources in the public arena - Stead's many publications, talks, lectures and radio interviews, and his letters to Sargeson and Curnow lodged in the Alexander Turnbull Library - Judith Dell Panny's work shows a commitment to impartiality and probity.
Voices
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