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Dispatches from Ray's Planet
As a child, Claire's big brother Ray was always bright and inquisitive, and she looked up to him. But as the two became teenagers, Ray struggled to acquire the social skills that came more easily to Claire and their friends. Claire tried to help, pointing out what he should or shouldn't have said or done. Ray insisted that he wasn't the problem--"On my planet...", he would explain, there were no social climbers, no cocktail parties, no subtle hints or subliminal messages to miss. On his planet, the telling of little white lies would be a capital offence. At sixteen, sitting with him in the high school cafeteria, Claire vowed to find Ray's "planet." After graduation, Ray took a job as a lette...
Art and Future
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.
Stress Less
Understand your stress triggers and develop resilience and mindfulness so you can cope well. An excellent overview of what stress is and what causes it, including the thoughts and feelings that generate stress, the things we do when we are stressed, and the red alerts for stress at work. The author, a psychologist who specialises in this field, describes how we can use stress to our advantage - the message of distress means that something needs to change. She describes the role of our reactions to potentially stressful situations, where our reactions come from, and things that influence our reactions. Includes practical advice on getting rid of stress, taking control of your life and coping with stress at work. How to prevent stress, how to build stress resistance by taking agency in our lives, life balance and self care, and everyday relaxation techniques. With a focus on the miracle of mindfulness, this book will help you keep on keeping on.
Gobekli Tepe
In the Neolithic Near East, the Anatolian landmass of modern day Turkey functioned as an over reaching land bridge, connecting the three continents of Europe, Asia and Africa to one another. The larger geographical landscape of today's Middle East was surrounded by the five major seas of antiquity. The Mediterranean Sea, the Black Sea, the Persian Gulf, the Red Sea, and the Caspian Sea. The rivers of Tigris and Euphrates ran across the hills, mountain ranges and plains, and volcanic fields of the Armenian highlands provided invaluable obsidian rocks, suitable for making sharp, razor-edged stone tools. As the late Klaus Schmidt once put it, the slopes of the Taurus mountains were a hunter’s...
List of Registered Physicians and Surgeons and Osteopaths
Includes Supplemental list for 1955.
Rhona Haszard
During Rhona Haszard's short life she distinguished herself as a "New Woman" whose social and sexual behaviour was highly controversial. She worked as an artist on the Channel Island of Sark, in France, Alexandria and London. She dressed eccentrically, recommended Radclyffe Hall's lesbian novel The Well of Loneliness, spoke positively of de facto relationships and advocated vegetarianism and unprocessed food. Most significantly, she wanted to paint innovatively and professionally. Born in Thames in 1901, Haszard studied at Canterbury College School of Art and worked with fellow students Ngaio Marsh, Evelyn Page, Rata Lovell-Smith and Olivia Spencer Bower. Even in this talented company she established a promising reputation. A successful future seemed assured by her marriage in 1922 to Ronald McKenzie, but her traumatic elopement with Englishman Leslie Greener seemed to threaten it all. Escaping with Greener to France in the 1920s, her brighter, Post-Impressionist style rapidly brought international recognition, and in London she participated in a number of significant exhibitions. Her life was tragically cut short at the age of thirty.
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