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Written in a lively, engaging style, and containing many fascinating bee facts, anecdotes, fables, and images, 'Bee' is a wide-ranging, highly-illustrated meditation on the natural and cultural history of this familiar and much-admired insect.
This study examines the way that scientists in the 16th and 17th centuries, who had not studied 'science' formally, used the tools of their literary education to formulate ideas about science and, at the same time, how the remarkable 17th-century scientific developments inspired non-scientific writers to make new fictions of discovery.
Crawford Henley is a rich, successful businessman. His life is perfect, until a paparazzo breaks into his house and photographs him tied to a bed, with a naked escort on his lap. The photo ends up in the news and now, Crawford is in the market for a good bodyguard. His security agency sends him Claire. She seems harmless and unqualified, so Crawford calls the agency and demands a replacement, but their slate is full for the next week, so Claire is all he gets until then. But it turns out, Claire has a tough side, and that tough side is a surprising turn on for Crawford. But that’s not the only surprise Claire has for the successful businessman.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher Description
FRAMED Lured into a dark classroom, high school teacher Claire Kendall stumbles over the body of a dead student--and into the clutches of the killer. Certain she's about to die, Claire is shocked when DEA agent Matt Ross bursts in and rescues her. The former army ranger who broke her heart ten years ago is back in town to bust a drug trafficking ring operating at the school. With Claire being framed for the young informant's murder, she has to put aside their past and trust her handsome ex to keep her safe. But someone is dead set on bringing their hometown reunion to a permanent end. Rangers Under Fire: Nothing's more dangerous than falling in love.
Edith Wharton's "Evolutionary Conception" investigates Edith Wharton's engagement with evolutionary theory in The House of Mirth, The Custom of the Country, and The Age of Innocence. The book also examines The Descent of Man, The Fruit of the Tree, Twilight Sleep, and The Children to show that Wharton's interest in biology and sociology was central to the thematic and formal elements of her fiction. Ohler argues that Wharton depicts the complex interrelations of New York's gentry and socioeconomic elite from a perspective informed by the main concerns of evolutionary thought. Concentrating on her use of ideas she encountered in works by Darwin, Herbert Spencer, and T.H. Huxley, his readings of Wharton's major novels demonstrate the literary configuration of scientific ideas she drew on and, in some cases, disputed. R.W.B. Lewis writes that Wharton 'was passionately addicted to scientific study': this book explores the ramifications of this fact for her fictional sociobiology. The book explores the ways in which Edith Wharton's scientific interests shaped her analysis of class, affected the formal properties of her fiction, and resulted in her negative valuation of social Darwinism.
The first book to address the role of correspondence in the study of religion, Debating the Faith: Religion and Letter Writing in Great Britain, 1550-1800 shows how letters shaped religious debate in early-modern and Enlightenment Britain, and discusses the materiality of the letters as well as questions of form and genre. Particular attention is paid to the contexts in which letters were composed, sent, read, distributed, and then destroyed, copied or printed, in periods of religious tolerance or persecution. The opening section, ‘Protestant identities’, examines the importance of letters in the shaping of British protestantism from the underground correspondence of Protestant martyrs in the reign of Mary I to dissident letters after the Act of Toleration. ‘Representations of British Catholicism’, explores the way English, Irish and Scottish Catholics, whether in exile or at home, defined their faith, established epistolary networks, and addressed political and religious allegiances in the face of adversity. The last part, ‘Religion, science and philosophy’, focuses on the religious content of correspondence between natural scientists and philosophers.
This Element examines the eighteenth-century novel's contributions to empirical knowledge. Realism has been the conventional framework for treating this subject within literary studies. This Element identifies the limitations of the realism framework for addressing the question of knowledge in the eighteenth-century novel. Moving beyond the familiar focus in the study of novelistic realism on problems of perception and representation, this Element focuses instead on how the eighteenth-century novel staged problems of inductive reasoning. It argues that we should understand the novel's contributions to empirical knowledge primarily in terms of what the novel offered as training ground for methods of reasoning, rather than what it offered in terms of formal innovations for representing knowledge. We learn from such a shift that the eighteenth-century novel was not a failed experiment in realism, or in representing things as they are, but a valuable system for reasoning and thought experiment.
Considers how ancient Greek comedy offers a model for present-day politics. With Democratic Swarms, Page duBois revisits the role of Greek comedy in ancient politics, considering how it has been overlooked as a political medium by modern theorists and critics. Moving beyond the popular readings of ancient Greece through the lens of tragedy, she calls for a revitalized look at Greek comedy. Rather than revisiting the sufferings of Oedipus and his family or tragedy’s relationship to questions of sovereignty, this book calls for comedy—its laughter, its free speech, its wild swarming animal choruses, and its rebellious women—to inform another model of democracy. Ancient comedy has been un...