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The Past in Visual Culture
In recent years digital technology has made available an inconceivably vast archive of old media. Images of the past--accessed with the touch of a finger--are now intertwined with those of the present, raising questions about how visual culture affects our relationship with history and memory. This collection of new essays contributes to a growing debate about how the past and its media are appropriated in the modern world. Focusing on a range of visual cultures, the essays explore the intersection of film, television, online and print media and visual art--platforms whose boundaries are increasingly hard to define--and the various ways we engage the past in an environment saturated with the imagery of previous eras. Topics include period screen fiction, nonfiction media histories and memories, cinematic nostalgia and recycling, and the media as both purveyors and carriers of memory.
The Comet Seekers
Two lives. One night sky. Róisín and François first meet in the snowy white expanse of Antarctica, searching for a comet overhead. While Róisín grew up in a tiny village in Ireland, ablaze with a passion for science and the skies, François was raised by his restless young mother, who dreamt of new worlds but was unable to turn her back on her past. As we loop back through their lives we see their paths cross as they come closer and closer to this moment, brought together by the infinite possibilities of the night sky.
52 Dates for Writers
This essential creative writing guide will take you away from your desk, to return with new ideas, fresh insight, better writing skills, and a renewed passion for your novel. Suitable for both those who are seeking tried-and-tested strategies for revising a novel draft, and those who would like to generate a store of ideas before starting to write.
Kill Switch
A prime-time thriller. . . suspense on the order of Silence of the Lambs. --Denver Post Haunted by a disturbing childhood incident, Dr. Claire Waters is drawn to those "untreatable" patients who seem to have no conscience or fear. In a holding cell at Rikers Island, where the young forensic psychiatrist meets with a dangerous inmate whose boyish looks mask a sordid history of violence, her daring methods reveal a key to her own dark past. And when the case propels her into the mind of a homicidal maniac watching her every move, the only way to stop a killer from killing again is to go beyond the edge of reason... "A psychological thriller of the first order."--David Baldacci "A high-octane, ...
Supreme Court
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Prizing Scottish Literature
This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
All of the Above I
A history of the ancestry of Elizabeth Huey Taylor Cook, tracing various genealogical lines more than four hundred years. Individuals and couples are placed in their historical context, showing their participation in the events of their time (Revolutionary War, Civil War, early settlements in Massachusetts, Virginia, and Kentucky). Special attention is given to the role of various ancestors in the Indian wars of the 1600s and 1700s. Many details about the families' ownership of slaves are included. Various indiiduals' participation in church and community activities - from the earliest colonial settlements to and including the 20th century - are also covered. The main surnames which are treated include TAYLOR, HUEY, MOORE, CROUCH, MAYO, BALDWIN, SCOTT, DAWSON, PUTNAM, PORTER, HAWTHORNE, DOYNE, WHARTON, STONE, WINSTON, GAINES, WATTS, GOUGE, GRAVES, WILLIAMS, HUNT, JEWETT/JUETT, MASON, PENDLETON, GAMEWELL, SWAINE, PARSONS, BOOTH, WOODBURY, DWIGHT, WALTON, MAVERICK, HARRISON, LYTTLETON, VALLETTE, MARMADUKE. A total of about 120 surnames are traced.
The Lives of Chinese Objects
This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.
