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La incertidumbre es la categorización de estos tiempos que hoy vivimos. Una categoría que ha llegado, paradójicamente, en la época de nuestra historia en la que la tecnología más avanzada está. Esto, sin duda alguna, traza la primera de las conclusiones que nuestro tiempo nos otorga: el avance tecnológico no está ligado al progreso humano. Es más, debe ser objeto de reflexión preguntarse si a medida que nos volvemos más tecnológicos no nos deshumanizamos en paralelo y en desproporciones inver-sas. Sí, en efecto, se nos suman muchas preguntas a la cabeza.
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--
The historical study of war in the Spain of Philip II forms the starting point for the articles in this volume. They approach this not so much from a military angle, but as a problem of organization, procurement and finance. In a sense, the articles represent an assessment of the effectiveness of the Spanish government and so, given the apparent precocity of government growth in 16th-century Spain, they can also be seen as a critical commentary on the operational capabilities of the early-modern absolutist state. Six of the essays here focus on the Spanish Armada, in terms of its political and military objectives, but demonstrating how these were conditioned by basic systems limitations, not...
Combining approaches and insights from cultural, social and military history this study traces the evolution and decline of the Spanish officer corps and general staff during the Eighty Years War in connection with contemporary trends such as modernization and aristocratization.
Drawing on some sixty works and for the first time, the Museo del Prado will jointly present the most important paintings by Sofonisba Anguissola (ca. 1535-1625) and Lavinia Fontana (1552-1614). The two artists achieved recognition and fame among their contemporaries for and despite their status as female painters. Both were able to break away from the prevailing stereotypes assigned to women in relation to artistic practice and the deep-rooted scepticism regarding women's creative and artistic abilities.The exhibition and accompanying catalogue will present the work of these two women, whose artistic personalities were to some extent obscured over the course of time but who in the last thirty years have once again aroused the interest of specialists and the general public.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.
Mastering the Revels traces the measures taken by the governments of Elizabeth I, James I, and Charles I to regulate the new phenomenon of fixed playhouses and resident playing companies in London, and to censor their plays. It focuses on the Masters of the Revels, whose primary function was to seek out theatrical entertainment for the court but whose role expanded to include oversight of the players and their playhouses. The book proceeds chronologically, tracking each of the Masters in the period—Edmund Tilney (served 1579-1610), Sir George Buc (1610-22), Sir John Astley (1622-3), and Sir Henry Herbert (1623-1642). Tilney was the first to receive a Special Commission giving him wide-rang...
Currently, the various departments of justice of Barcelona and L'Hospitalet de Llobregat are scattered in 17 buildings distributed between the two cities, with functional frustrations for both users and employees. A new conjoined City of Justice will improve efficiency and allow working spaces to adapt and absorb the constant transformation of the judicial body while allowing extra space for future growth. This monograph is devoted to the winning project by b720 architects and David Chipperfield Architects, describing all details from the design process to the construction phase. The most significant proposition breaks up the massive program requirements (241.519,92 m2) into a series of sepa...