You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
War often unites a society behind a common cause, but the notion of diverse populations all rallying together to fight on the same side disguises the complex social forces that come into play in the midst of perceived unity.
In 2000, the United States census allowed respondents for the first time to tick a box marked “African American” in the race category. The new option marked official recognition of a term that had been gaining currency for some decades. Africa has always played a role in black identity, but it was in the tumultuous period between the two world wars that black Americans first began to embrace a modern African American identity. Following the great migration of black southerners to northern cities after World War I, the search for roots and for meaningful affiliations became subjects of debate and display in a growing black public sphere. Throwing off the legacy of slavery and segregation,...
Beyond Blackface
Originally published in 1942, They Knew Lincoln is a collection of historical vignettes about black Americans who Knew Abraham Lincoln. Long out of print, the book offers the "colored side of Lincolniana" by reproducing the original text and illustrations, including an introduction by Carl Sandburg, along with a new introductory essay contextualizing the work by Kate Masur.
The changes to U.S. immigration law that were instituted in 1965 have led to an influx of West African immigrants to New York, creating an enclave Harlem residents now call ''Little Africa.'' These immigrants are immediately recognizable as African in their wide-sleeved robes and tasseled hats, but most native-born members of the community are unaware of the crucial role Islam plays in immigrants' lives. Zain Abdullah takes us inside the lives of these new immigrants and shows how they deal with being a double minority in a country where both blacks and Muslims are stigmatized. Dealing with this dual identity, Abdullah discovers, is extraordinarily complex. Some longtime residents embrace th...
For at least two centuries, the South’s economy, politics, religion, race relations, fiction, music, foodways and more have figured prominently in nearly all facets of American life. In A New History of the American South, W. Fitzhugh Brundage joins a stellar group of accomplished historians in gracefully weaving a new narrative of southern history from its ancient past to the present. This groundbreaking work draws on both well-established and new currents in scholarship, among them global and Atlantic world history, histories of African diaspora, and environmental history. The volume also considers the experiences of all people of the South: Black, white, Indigenous, female, male, poor, and elite. Together, the essays compose a seamless, cogent, and engaging work that can be read cover to cover or sampled at leisure. Contributors are Peter A. Coclanis, Gregory P. Downs, Laura F. Edwards, Robbie Ethridge, Kari Frederickson, Paul Harvey, Kenneth R. Janken, Martha S. Jones, Blair L. M. Kelley, Kate Masur, Michael A. McDonnell, Scott Reynolds Nelson, James D. Rice, Natalie J. Ring, and Jon F. Sensbach.
The Oxford Handbook of the American Revolution introduces scholars, students and generally interested readers to the formative event in American history. In thirty-three individual essays, the Handbook provides readers with in-depth analysis of the Revolution's many sides.
Thinking and writing about the past, challenging what 'history' might be and how it could appear is an ongoing interest of this journal and an ongoing (sometimes contentious) point of connection between cultural studies and history. The shifts in how we research and write the past is no simple story of accepted breakthroughs that have become the new norms, nor is it a story where it is easy to identify what the effects of cultural studies thinking on the discipline of history has been. History has provided its own challenges to its own practices in a very robust way, while the cultural studies has challenged what the past is and how it might be rendered from a wide ranging set of ideas and modes of representation that have less to do with specific disciplinary arguments than responses to particular modes (textual, filmic, sonic), particular sites (nations, Indigenous temporalities, sexuality, literature, gender) and perhaps a greater willingness to accentuate the political in the historical.
"Foreword / Arlene Holt Baker -- A reintroduction to Asa Philip Randolph / Andrew E. Kersten and Clarence Lang -- Researching Randolph: Shifting historiographic perspectives / Joe William Trotter, Jr. -- A. Philip Randolph: emerging socialist radical / Eric Arnesen -- Keeping his faith: A. Philip Randolph's working-class religion / Cynthia Taylor -- Brotherhood men and singing Slackers: A. Philip Randolph's rhetoric of music and manhood / Robert Hawkins -- The spirit and strategy of the United Front: Randolph and the National Negro Congress, 1936-1940 / Erik S. Gellman -- Organizing gender: A. Philip Randolph and women activists / Melinda Chateauvert -- Beyond A. Philip Randolph: Grassroots protest and the March on Washington Movement / David Lucander -- The "Void at the Center of the Story": The Negro American Labor Council and the long civil rights movement / William P. Jones -- No exit: A. Philip Randolph and the Ocean Hill-Brownsville Crisis / Jerald Podair.
An innovative history of how volunteers helped build a global consensus that Western development intervention across the Global South was desirable, even as critics in aid-recipient nations suggested it was a form of neocolonialism. It will benefit scholars and students of history, development studies and international relations.