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This volume contains selected papers given at the conference 'Violence, Culture and Identity' held at St Andrews University in 2003. It contributes to the debate on the role of culture in propagating, mediating and controlling violence in society, concentrating on the relationship between culture and identity-formation in Germany and Austria from the Middle Ages to the present. Bringing together the work of twenty-two scholars with expertise in different literary and historical periods, the volume probes the complexities of representations of violence enacted and suffered, of affirmative and non-affirmative violence in text and visual form, revealing the often blurred line between victim and victimizer. Violence in its discursive and material forms is investigated, using the theoretical tools of sociology, post-colonial and gender studies, history and psychology as well as of literary criticism. The collection of essays focuses particularly on the relationship between war and identity, on 1970s terrorism and identity, on violence and the construction of gender, and on contemporary writing in German.
Despite the recent growth in university courses on European Studies and Cultural Studies, and notwithstanding increasing public concern about questions of national identity within Europe, there is currently little material available which explores the diversity of European identities specifically within the context of European literary and filmic culture. In tackling ten novels, six plays, four films, three short stories, three books of travel writing and one diary, covering fifteen nationalities in all, the authors of this volume are seeking to fill this gap. The twelve essays contain detailed textual analysis embedded within a framework of cultural theory whose most celebrated reference points include Freud, Edward Said, Benedict Anderson and Homi Bhabha. This volume is aimed not only at specialists in identity studies and those concerned with the artistic landscape of a wider Europe - including Russia, the Balkans, Finland and Turkey. It will also interest those preoccupied with building an imaginative and imagined identity for Europe, an identity which might help to sustain it as a political entity and lend it greater popular legitimacy than it enjoys at present.
Highlighting women's activism in Halifax after the Second World War, Mothers of the Municipality is a tightly focused collection of essays on social policy affecting women. The contributors - feminist scholars in history, social work, and nursing - examine women's experiences and activism, including those of African Nova Scotian 'day's workers, ' Sisters of Charity, St. John Ambulance Brigades, 'Voices' for peace, and social welfare bureaucrats. The volume underscores the fact that the 1950s and 60s were not simply years of quiet conservatism, born-again domesticity, and consumption. Indeed, the period was marked by profound and rapid change for women. Despite their almost total exclusion from the formal political arena, which extended into the tumultuous 1970s, women in Halifax were instrumental in creating and reforming programs and services, often amid controversy. Mothers of the Municipality explores women's activism and the provision of services at the community level. If the adage "think globally; act locally" has any application in modern history, it is with the women who fought many of the battles in the larger war for social justice.
This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Günter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.
Contrary to a generally held view that pearls are found by chance in oysters, almost all are now produced from farms. This book is a comprehensive treatment of all aspects of the biology of pearl oysters, their anatomy, reproduction, genetics, diseases, etc. It considers how they are farmed from spawning and culturing larvae in hatcheries to adults in the ocean; how various environmental factors, including pollution affect them; and how modern techniques are successfully producing large numbers of cultured pearls. This is the ultimate reference source on pearl oysters and the culture of pearls, written and edited by a number of scientists who are world experts in their fields. - Comprehensive treatment of pearl oyster biology and pearl culture - Written by the top world authorities - Highly illustrated and figured - Of practical relevance to a broad readership, from professional biologists to those involved in the practicalities and practice of pearl production
This smart psychological thriller about a therapist who marries the wrong woman is “a lot of wicked fun” (Alan Cheuse, NPR’s All Things Considered). When Eric Lavender meets the attorney Colleen O’Brien Golden, his position as one of Manhattan’s chic psychotherapists and most eligible bachelors suddenly loses its appeal. The sexy, stylish Colleen lures him to live with her and her young daughter in the exclusive suburb of Scarsdale. To his amazement, Eric is besotted and soon settles into the unexpected bliss of marriage and domesticity with their new baby and his loving stepdaughter. He even becomes a local hero when the police turn to him for help in resolving a hostage crisis. B...
On Their Own Terms is a study of how post-1990 German literature reconfigures the legacy of National Socialism and the Holocaust. In five sections - Historisation, Perpetrators, Hitler-Youth Memories, War Memories and Victim Perspective - a number of key literary works such as Bernhard Schlink's Der Vorleser, Martin Walser's Ein springender Brunnen, Gunter Grass's Im Krebsgang and W. G. Sebald's Austerlitz are analysed. The literary texts are situated within the wider context of contemporary German debates on the issue, from the exhibition 'Crimes of the German Wehrmacht 1941-1945', to the Walser-Bubis-affair and the ensuing debate about representations of German suffering. One of the central concerns of this book is the literary configuration of German experience and the narrative strategies employed by the writers to validate it against or set it in context with a perspective of victim experience.
Employs research on the GDR's healthcare system along with feminist and queer theory to get at socialism's legacy, revealing a specifically East German literary convention: employment of symptomatic female bodies to either enforce or rebel against political and social norms.