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While his mother prepares a picnic, Jack invites a giraffe, an elephant, and other animals to lunch and each eagerly agrees, as long as they can play first.
Arabella Miller finds a caterpillar and decides to make him her new friend. She makes a cosy home for him and feeds him lots of crunchy leaves. But caterpillar soon begins to grow and grow and Arabella must watch and wait for his wonderful secret to be revealed. Ages 3+. (SA: Reception - Year 2).
In this wonderful fantasy a little girl called Maddy is struck with stagefright, she loses her balance and she show her teacher her special dance. Now she doesn't want to ever dance again, especially not in the school show. Poor Maddy loses her balance as she shows her teacher her special dance. Afterwards she doesn't ever want to dance again -- especially not in the school show. Then wise Pomeroy gently encourages Maddy to dance again, restores her confidence and even helps her to find the perfect dress -- fit for a princess. Catherine and the Lion, Clare Jarrett's first book, won the prestigious Mother Goose Award in 1997.
Catherine is comforted by the company of her imaginary lion friend, who goes to school with her and accompanies her in all her at-home activities.
The Deep Sea chippy and the Fantasy Island bar face each other across the neon glow of Junction Street. Beth shovels chips on one side and Amber spins naked around a pole on the other. Their work is mundane and predictable, each night much like any other, until a sudden, dramatic death forces them to choose between relative safety and risk.Into this situation wanders George, lost and broken-hearted and dressed in a monkey costume.Nothing is Heavy follows these three characters over the course of one intense Saturday night. Unaware that their lives are already intimately connected by a previous tragedy, their fates collide again with completely unpredictable results.What ensues is a hilarious, surreal, furiously-paced adventure involving sex, drugs, chips and angels which hovers masterfully between tragedy and farce.The strength of this truly original novel is that beneath the thrill-a-minute, fast-paced action, Vicki Jarrett deals with serious issues as the unforgettable characters' life-crushing backgrounds are slowly revealed and the past catches up with the present.
A landmark account of architectural theory and practice from acclaimed philosopher Roger Scruton Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication, and he assesses the continuing relevance of his argument for the twenty-first century.
Sensitive and sweeping, this is a history of the little-known lives of people with learning disabilities from the communities of eighteenth-century England, to the nineteenth-century asylum, to care in today’s society. Those They Called Idiots traces the little-known lives of people with learning disabilities from the communities of eighteenth-century England to the nineteenth-century asylum, to care in today’s society. Using evidence from civil and criminal courtrooms, joke books, slang dictionaries, novels, art, and caricature, it explores the explosive intermingling of ideas about intelligence and race, while bringing into sharp focus the lives of people often seen as the most marginalized in society.