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WINNER OF THE HWA NON-FICTION CROWN AN IRISH TIMES BOOK OF THE YEAR A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK A FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD Elizabeth Anscombe: defiantly brilliant, chain-smoking, trouser-wearing Catholic and (eventual) mother of seven. Philippa Foot: pathalogically discreet, quietly rebellious granddaughter of a US president. Mary Midgley: witty scholar and careful observer of humans and animals alike. Iris Murdoch: aspiring novelist and Francophile with the power to seduce (almost) anyone. Written with expertise and flair, Metaphysical Animals is a vivid portrait of the endeavours and achievements of these four remarkable women. As undergraduates at Oxford during the Second World War, they shared ideas (as well as shoes, sofas and lovers). From the disorder and despair of war, they went on to breathe new life into philosophy, creating a radically fresh way of thinking about freedom, reality and human goodness that is there for us today. 'Evocative and sparkling' New York Times 'A triumph' Mail on Sunday
As well as having perceptual experience of material objects, we also experience such things as rainbows and surfaces, shadows and absences. A team of philosophers explore the unusual interest of our experience of ephemeral aspects of the world. This is the first collective philosophical study of perceptual ephemera.
Résumé éditeur : This book tells two intertwined stories, centered on twentieth-century moral philosophers Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch. The first is the story of four friends who came up to Oxford together just before WWII. It is the story of their lives, loves, and intellectual preoccupations; it is a story about women trying to find a place in a man's world of academic philosophy. The second story is about these friends' shared philosophical project and their unintentional creation of a school of thought that challenged the dominant way of doing ethics. That dominant school of thought envisioned the world as empty, value-free matter, on which humans...
A pioneering investigation into the nature of emotions, bringing together important questions in ontology, metaphysics, and philosophy of mind. Leading scholars explore a neglected aspect of the philosophy of emotion, paving the way for new advances in research. This book will be important for those working in the field of emotions.
Contemporary philosophy of perception is dominated by highly polarized debates. The polarization is particularly acute in the debate between naïve realist disjunctivists and their opponents, but divisions seem almost as stark in other areas of dispute, for example, the debate over whether we experience so-called 'high-level' properties, and the debate concerning individuation of the senses. The guiding hypothesis underlying this volume is that such polarization stems from insufficient attention to how we should go about settling these debates. In general, there is widespread, largely implicit disagreement concerning what philosophical theories of perception are supposed to explain, the clai...
G. E. M. Anscombe (1919–2001) is one of the most important philosophers of the twentieth century. Known primarily for influencing research in action theory and moral philosophy, her work also has relevance in the study of metaphysics, philosophy of language, philosophy of mind, philosophy of religion, and politics. The Anscombean Mind provides a comprehensive survey of Anscombe’s thought, not only placing it in its historical context but also exploring its enduring significance in contemporary debates. Divided into three clear parts, twenty-three chapters by an international array of contributors address the following themes: ancient philosophy metaphysics mind and language Wittgenstein action and ethics politics religion and faith. The Anscombean Mind is an indispensable resource for anyone studying and researching action theory, ethics, moral philosophy, Wittgenstein, twentieth-century philosophy, and Anscombe herself.
This systematic and historical treatment of Russell's contributions to analytic philosophy, from his embrace of analysis in 1898 to his landmark theory of descriptions in 1905, draws important connections between his philosophically motivated conception of analysis and the technical apparatus he devised to facilitate analyses in mathematics
In this study of the history of rhetoric education, Susan Kates focuses on the writing and speaking instruction developed at three academic institutions founded to serve three groups of students most often excluded from traditional institutions of higher education in late-nineteenth-and early-twentieth-century America: white middle-class women, African Americans, and members of the working class. Kates provides a detailed look at the work of those students and teachers ostracized from rhetorical study at traditional colleges and universities. She explores the pedagogies of educators Mary Augusta Jordan of Smith College in Northhampton, Massachusetts; Hallie Quinn Brown of Wilberforce Univers...
Why are professional philosophers today still overwhelmingly male? Often it is assumed that women need to change to fit existing institutions. This book instead offers concrete reflections on the way in which philosophy needs to change to benefit from the important contribution women's full participation makes to the discipline.
Crude materialism, reduction of mind to body, extreme individualism. All products of a 17th century scientific inheritance which looks at the parts of our existence at the expense of the whole. Cutting through myths of scientific omnipotence, Mary Midgley explores how this inheritance has so powerfully shaped the way we are, and the problems it has brought with it. She argues that poetry and the arts can help reconcile these problems, and counteract generations of 'one-eyed specialists', unable and unwilling to look beyond their own scientific or literary sphere. Dawkins, Atkins, Bacon and Descartes all come under fire as Midgely sears through contemporary debate, from Gaia to memes, and organic food to greenhouse gases. After years of unquestioned imperialism, science is finally forced to take a step back and acknowledge the arts.