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This highly acclaimed and provocative interdisciplinary study of the development of institutional censorship explores the complexities of 20th-century American cultural politics through the protagonists of the Melville Revival. Spark addresses the distinction between the radical and conservative Enlightenment and makes her way through Melville's often confusing and contradictory texts, examining the disputes within Melville scholarship.
No More Separate Spheres! challenges the limitations of thinking about American literature and culture within the narrow rubric of “male public” and “female private” spheres from the founders to the present. With provocative essays by an array of cutting-edge critics with diverse viewpoints, this collection examines the ways that the separate spheres binary has malingered unexamined in feminist criticism, American literary studies, and debates on the public sphere. It exemplifies new ways of analyzing gender, breaks through old paradigms, and offers a primer on feminist thinking for the twenty-first century. Using American literary studies as a way to talk about changing categories o...
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
This work provides an illustrated interpretation of Herman Melville's Moby-Dick. While filling our eyes with archetypal visions of whales, ships and ocean deeps, Robert Del Tredici also dazzles us with shimmering pyrotechnics of narrator Ishmael's mind. His large-format colour silkscreens and pen-and-ink illustrations let us see Melville's masterpiece as if for the first time. This postmodern take on the great American novel boldly returns readers to the book's roots as a trancendental vision of man and nature.
The "pretty impertinent and prying" questions asked by a UCLA doctoral candidate of Herman Melville's great-grandson led to this fascinating correspondence regarding the Melville Revival.
This issue of the journal and its sister (14.04) brings together sixteen contributions from scholars from a variety of perspectives around the topic of Women & Collections. The articles present the work of independent scholars, researchers, and practitioners as well as those situated in academy and collecting institutions.
A critique of American public broadcasting explores how its mission has been eroded from public-supported educational and cultural programming to corporate sponsorship of mainstream entertainment.
"Cheddar is the world's most ubiquitous and beloved cheese. More than that, cheddar holds a key to understanding our food politics and even our cultural identity. In 'Cheddar', Gordon Edgar (Cheesemonger) traces the unexplored history of cheddar, with both wry humor and an eye toward its future. Cheddar has something to tell us about this country: from the way people rally to certain types of cheddar but not others, to the gradual transformation of a once artisan cheese into big commodity blocks (and back again) and the effect that has had on rural communities. One of the first cheeses to be industrialized, cheddar's progression from farmstead wheels to machine-extruded singles mirrors that ...
Traces Melville's life from his childhood in New York, through his adventures abroad as a sailor, to his creation of "Moby-Dick," and forty years later, to his death, in obscurity.
The Oxford Handbook of Radio and Podcasting provides a concise yet in-depth overview of the development of radio as a creative and cultural form, from early broadcasting to the digital present. Organized around major aspects of radio's social and political impact - on the arts, on news and documentary, on community, nation, identity, and culture - it draws on contributors from interdisciplinary backgrounds and many nationalities to explore the world of sound-based communication across a century of practice. Links are provided to illustrative sound clips in many chapters, along with chapter-by-chapter audiographies offering digital links to enable further listening.