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Of the fifty religious buildings discussed in this book, only a precious few remain standing despite the fact that Montreal boasts one of the largest and most eclectic groupings of Georgian and Victorian structures of any city in North America.Following the British conquest of New France in 1759 a remarkable series of transformations took place in the small, Catholic trading town of Montreal. Given the diversity of settlers forced to live side by side, the new church buildings that were to rise became strategic public spaces, meeting places as well as power bases. It was no wonder that by the time Mark Twain toured Canada’s first metropolis in the 1880s, he found that one could not throw a brick in the place without breaking a church window.By addressing the social, religious and architectural issues surrounding these colonial-era structures, it will become apparent that Montreal was at once a shining jewel in England’s imperial crown, a chief outpost of Catholicism in the New World, as well as the British North American headquarters for more than a dozen independent congregations.
In v.1-8 the final number consists of the Commencement annual.
This collection of essays highlights the enduring significance of provenance and its implications for historians and art historians, as well as students and researchers engaged in museum studies. It also offers an opportunity to demonstrate its relevance to other fields of expertise, such as conservation, visual culture studies, aesthetics, authentication and connoisseurship versus technology as a means of establishing attributions and detecting forgeries. Provenance is still of vital importance to jurisdiction, whether it concerns property law or ownership. It also remains topical because of the ongoing debates over looted art in the 1930s and 1940s and the illicit trade in antiquities conducted from Iraq and Syria by terrorist groups.
"The goal of the logo is to alert readers to the threat that massive unauthorized photocopying poses to the future of the written work. [...] The Deco idiom col- onized broadcast facility, from the world's metropolis in London to the North American prairie, and instrument, the radio cabinet, in the houses of the prosperous to the relatively poor. [...] This book would not have been possible without the vision and support of Luc Noppen and the Institut du patrimoine of the Université du Québec à Montréal and the Society for the Study of Architecture in Canada, which founded the Prix Phyllis-Lambert. [...] In addition to Luc and the Institut du patrimoine, I would like to acknowledge the f...
Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.
The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.
In this spellbinding collection, Sara Paretsky showcases her extraordinary talents with fourteen short stories, including one new V.I. story and seven other classics featuring the indomitable detective. In 'Miss Bianca' a young girl becomes involved in espionage when she befriends a mouse in a laboratory that is conducting dark experiments. Ten-year-old V.I. Warshawski appears in 'Wildcat,' embarking on her very first investigation to save her father. A hardboiled New York detective and elderly British aristocrat team up to reveal a murderer in Chicago during the World's Fair in 'Murder at the Century of Progress'. In the new title story, 'Love & Other Crimes' V.I. treads the line between justice and vengeance when the wrongful firing of a family friend makes him a murder suspect.
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When Olga and Vincent Diniacopoulos arrived in Montreal from Post-War Europe, they brought with them more than two thousand antiquities. Yet Canada's largest private collection, held since the 1960s at Université de Laval and now in the Musée national des beaux-arts du Québec, remained largely unknown and unstudied. In 2004, Concordia University - in conjunction with the Montreal Museum of Fine Arts - arranged for an exhibition, an international conference, and a publication devoted to the collection. Ten essays, seven in English and three in French, explore various aspects of a collection ranging from Greek pottery of the Late Bronze Age to ancient glass of Roman imperial date. Accompanied by a complete catalogue of all the Montreal pieces.