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Este livro, escrito durante a pandemia da Covid-19, e que tem como público alvo professores de línguas em formação inicial e continuada, reúne temáticas, práticas e reflexões críticas acerca da práxis pedagógico-educacional, embasada nos multiletramentos. Nos seis capítulos que o compõe, primeiramente, (re)apresentamos os conceitos de ‘prática social multimodal’, de ‘design’ e de ‘multiletramentos’; na sequência, discutimos questões relativas às tecnologias analógicas e digitais, a critérios de escolha e uso de recursos educacionais digitais, à integração entre diferentes letramentos, às implicações de conceitos como ‘nativo digital’ e ‘multitarefa’ e ao planejamento de atividades didáticas.
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A proofreader realizes his power to edit the truth on a whim, in a “brilliantly original” novel by a Nobel Prize winner (Los Angeles Times Book Review). Raimundo Silva is a middle-aged, celibate clerk, proofing manuscripts for a respectable publishing house. Fluent in Portuguese, he has been assigned to work on a standard history of the country, and the twelfth-century king who laid siege to Lisbon. In a moment of subversive daring, Raimundo decides to change just one single word of text—a capricious revision that completely undoes the past. When discovered, his insolent disregard for facts appalls his employers—save for his new editor, Maria Sara. She suggests that Rainmundo take hi...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
An impassioned correspondence between two former school friends as they reach crisis in middle age, from the prize-winning Spanish novelist Carmen Martin Gaite Sofia is a mother of three grown-up children and trapped in a loveless marriage to Eduardo. Mariana is a successful psychiatrist, incapable of forming stable relationships with men. As their lives reach crises in middle age, these two women, former school friends who had grown apart, reach out to each other through an exchange of impassioned letters in Gaite's effusive epistolary novel. Mariana, a psychiatrist and TV pundit, flees Madrid for a friend's empty house in a coastal resort, where she obsesses over Raimundo, a suicidal, mani...
Bela e sensual, típica morena brasileira, Semíramis, sozinha nos Estados Unidos – depois de enviuvar-se do americano Steve Thompson –, decide retornar ao Rio de Janeiro, mais precisamente para Copacabana, bairro em que sempre sonhou morar. Uma vez na cidade, ela passa algum tempo hospedada no Copacabana Palace, como uma turista endinheirada. Porém, a farra não pode durar indefinidamente e ela precisa dar um jeito de se estabelecer na cidade. Verdade que ao morrer o americano deixou-lhe um punhado de dólares, mas, com tanta gastança, uma hora ela pode se vir tão pobre quanto quando saiu do Brasil. É quando surge a ideia de comprar um imóvel para morar. No entanto, ela, que gosta ...
The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece.
"Clarice Lispector was a born writer....she writes with sensuous verve, bringing her earliest passions into adult life intact, along with a child's undiminished capacity for wonder."—The New York Times Book Review "In 1967, Brazil's leading newspaper asked the avant-garde writer Lispector to write a weekly column on any topic she wished. For almost seven years, Lispector showed Brazilian readers just how vast and passionate her interests were. This beautifully translated collection of selected columns, or crônicas, is just as immediately stimulating today and ably reinforces her reputation as one of Brazil's greatest writers. Indeed, these columns should establish her as being among the era's most brilliant essayists. She is masterful, even reminiscent of Montaigne, in her ability to spin the mundane events of life into moments of clarity that reveal greater truths."—Publishers Weekly
Coletânias de fotos de famílias, prédios antigos residenciais, e prédios públicos, praças, igrejas da cidade de Carmópolis de Minas.
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.