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For decades, British stage musicals struggled to compete against the dazzling Broadway productions that came roaring in from across the pond. But that tide was turned at last in 1978, when Tim Rice and Andrew Lloyd Webber’s production of Evita brought the West End back into contention with Broadway. It was just the first of several blockbuster productionsthat helped Britain dominate musical theater all over the world. In this revealing behind-the-scenes narrative, journalist and author Robert Sellers gives a definitive account of how Evita, Cats, Starlight Express, Les Misérables, Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. These mega...
This book describes the work and life of Claude Michel Steiner, a close colleague and friend of Eric Berne, the founder of transactional analysis. Steiner was an early and influential transactional analyst, an exponent of radical psychiatry, and the founder of emotional literacy. Steiner also contributed a number of theories and concepts to the psychological literature. The book comprises edited excerpts from his unpublished autobiography, "Confessions of a Psychomechanic", alongside commentaries and critical essays from colleagues on his major contributions to the fields of psychology, transactional analysis, radical therapy, and emotional literacy. Topics covered include script theory and the theory of strokes, recognition hunger, radical therapy, and the concept of power, and emotional literacy and love. In assessing Steiner’s various contributions, the book also identifies central themes in his work and life and considers the autobiographical nature of theory. This unique collection demonstrates not only the range of Steiner’s insights but also his importance to the wider field and will be essential reading for practitioners and trainees alike.
From car mechanic to internationally loved opera, musical and recording star: the story of Alfie Boe… Alfie Boe is the first official bad boy of opera: a musical superstar celebrated not only in Britain, but worldwide. This is the story of his life - the ups and the downs, from finding fame to losing his father - and, essentially, of his love affair with music. Raised in Lancashire, the youngest of nine children and with a father who played opera at home, Alfie's story is not typical of most musical stars. His dreams of singing were only ever going to be dreams until fate intervened in the form of a stranger: he was training as a car mechanic when a customer overheard him singing and told him about a London audition. Alfie tried out, got the part and has never since looked back. This is the tale of how Alfie went from car mechanic to the UK's most popular and well-known opera star, lauded by Baz Luhrman, Cameron Mackintosh and Michael Parkinson as the best tenor we've produced in a generation. Now, for the first time, he has granted his millions of fans an intimate glimpse into the life of the man they adore.
(Vocal Selections). Matching the music from the 2017 Tony Award nominated Broadway revival of this hit Boublil & Schonberg musical, our collection features a baker's dozen selections in piano/vocal format. Includes: The American Dream * Bui-Doi * The Heat Is on in Saigon * I Still Believe * I'd Give My Life for You * If You Want to Die in Bed * The Last Night of the World * Maybe * The Movie in My Mind * Sun and Moon * Too Much for One Heart * What a Waste * Why God Why? Includes color artwork from the production.
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors, composers and choreographers. While other areas of the arts rally behind gender equality, musical theater demonstrates a disregard for women and an authentic female voice. If musical theater reflects prevailing societal attitudes, what does the modern musical tell us about the place of women in contemporary America, the UK and Australia? Are women deliberately kept out of musical theater by men jealously guarding their territory or is the absence of women a result of the modernization of the genre? Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.
According to Sir Peter Hall, "The theatre's been dying for two thousand years, and I'm sure will continue to." In the meantime, Hall and other leading figures of the stage have continued to influence theater productions throughout the world. In this collection of interviews, twenty-seven theater artists explore issues of theater theory and practice, illuminated by their wide range of perspectives. From traditional attitudes toward theatre to more avant-garde approaches, every facet of stage performance is addressed. Taken as a whole, these interviews reveal both the strength and extraordinary mutability of theater, as expressed by some of the most honored and well-regarded names of the stage, including Julie Harris, Quentin Crisp, Spalding Gray, Martin Sherman, Karen Finley, Eddie Izzard, Alan Ayckbourn, Robert Brustein, Uta Hagen, John Lahr, Stephen Daldry, and Edward Albee.