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A Choice Outstanding Academic Title 2016 Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point. Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustra...
Looking at satire and subversion within ceramics.
Written by some of today’s most exciting teen authors, Vacations from Hell offers five unique takes on a universal experience—unforgettable trips. This third Hell collection features stories of vacations that take a serious turn for the worse when paranormal elements interfere. Claudia Gray’s teen witch falls for the wrong guy on her family’s yearly beach trip, Cassandra Clare’s heroine confronts a vengeful and powerful woman while taking in the Jamaican sun. The cruise ship in Sarah Mlynowski’s story carries some dead, soon-to-be-dead, and even some un-dead passengers aboard. Libba Bray takes us to a town in Eastern Europe with a dark and bloody past. And a paranoid madness born in the French Revolution reaches across time to turn sister against sister in Maureen Johnson’s tale.
UNTIL I HOLD YOU AGAIN depicts the true story of a cancer victim, Albert Young, as told by his wife, L. Jean Young, who has a wrenching encounter as she comes face-to-face with god after being told by doctors that her husband has but a few minutes to live. Jean allows you to meet her side of the family and to learn some background information about her early years on the farm in North Carolina. Witness a life-altering experience brought on by the family's migration from southern to northern United States, settling in Buffalo, New York. The story's main figure, Albert, comes to the forefront, and also on the scene is his family, setting the stage for love in the air. Two people meet, and it i...
'I absolutely adore Clare Nolan's approaches to garden planning and creative use of color in her designs. This gem is sure to delight any flower lover.' - Erin Benzakein of Floret Flower Farm Planting cut flowers brings that 'grow-your-own' excitement to a whole new level - being able to step out of the back door and pick a single stem for beside the bed or pull together a posy for a friend is a joy. In this beautifully designed book, brimming with inspirational photographs, Clare Nolan reveals her secrets for growing a bountiful harvest as well as styling spectacular homegrown displays that will fill your home with colour and the gorgeous scent of the garden year-round. She takes the mystique out of what to grow and guides you through the entire process - from choosing the plants to suit both your garden and home décor and laying out your cutting patch, to planning ahead so you get your perfect palette of colour, texture and shape to play with at the right time. A whole chapter on arranging will inspire you to create spectacular arrangements for your home without the need for complicated floristry techniques.
Shell Bluff, a renovated mansion somewhere south of Savannah, had been the home of the Warren family since 1898. St. Julien Warren, a timber merchant, and his new wife Susan Winthrop, daughter of the Boston shipping Winthrops, intended it to become the ancestral home of a Warren dynasty. Their son, Winthrop Warren, near manhood, handsome and accomplished, and their four daughters, destined to become southern beauties, seemed a secure underpinning for the future. But the House of Warren was not to be. St. Julien became a victim of the 1918 influenza plague. Then, in 1920, the sudden and inexplicable death of his widow Susan put his orphaned children in the care of their aunt, Claudia. The mis...
For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. Things of Beauty Growing explores major typologies of the vessel--such as bowl, vase, and charger--that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers. Published in association with the Yale Center for British Art and the Fitzwilliam Museum, Cambridge Exhibition Schedule: Yale Center for British Art, New Haven (09/14/17-12/03/17) The Fitzwilliam Museum, Cambridge (03/20/18-06/18/18)
‘A delight’ Stylist ‘Funny, real and caring’ YOU Magazine ‘Funny, irreverent and moving... everything you would expect from the thick-fringed presenter who’s won a place in the nation’s hearts’ The Sun ‘Full of hilarious insights’ Vanity Fair A SUNDAY TIMES BESTSELLER
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practi...
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a prec...