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Knitting the Fog
Weaving together narrative essay and bilingual poetry, Claudia D. Hernández’s lyrical debut follows her tumultuous adolescence as she crisscrosses the American continent: a book "both timely and aesthetically exciting in its hybridity" (The Millions). Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn’t speak English, and her Spanish sticks out as “weird” in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either. A harrowing story told with the candid innocence of childhood, Hernández’s memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.
Knitting the Fog
A young Guatemalan immigrant's adolescence is shaped by her journey to the US, as she grapples with Chapina tradition and American culture.
Slash and Burn
A woman fights to keep her daughters safe in the wake of war and political trauma in Central/ Latin America.
Poetry of Resistance
My Sweet Dream / My Living Nightmare: Adobe Walls
Bodies Built for Game
Sport has always been central to the movements of both the nation-state and the people who resist that nation-state. Think of the Roman Colosseum, Jesse Owens’s four gold-medal victories in the 1936 Nazi Olympics, Kareem Abdul-Jabbar’s protest at the 1968 Olympics, and the fallout Colin Kaepernick suffered as a result of his recent protest on the sidelines of an NFL game. Sport is a place where the body and the mind are the most dangerous because they are allowed to be unified as one energy. Bodies Built for Game brings together poems, essays, and stories that challenge our traditional ideas of sport and question the power structures that athletics enforce. What is it that drives us to athletics? What is it that makes us break our own bodies or the bodies of others as we root for these unnatural and performed victories? Featuring contributions from a diverse group of writers, including Hanif Abdurraqib, Fatimah Asghar, Reginald Dwayne Betts, Louise Erdrich, Toni Jensen, Ada Limón, Tommy Orange, Claudia Rankine, Danez Smith, and Maya Washington, this book challenges America by questioning its games.
Trout Belly Up
In seven interconnected short stories, the Guatemalan countryside is ever-present: a place of timeless peace, and the site of sudden violence. Don Henrik, a good man struck time and again by misfortune, confronts the crude realities of farming life, family obligation, and the intrusions of merciless entrepreneurs, hitmen, drug dealers, and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, Trout, Belly Up is a beguiling, disturbing ensemble of moments set in the heart of a rural landscape in a country where brutality is never far from the surface.
Women, Mujeres, Ixoq: Revolutionary Visions
Women, Mujeres, Ixoq: Revolutionary Visions is the outcome of a photo, video, and oral history project named: Today's Revolutionary Women of Color, which is organized to share the creativity of women artists whose writing, paintings, and careers carry a theme of social justice. With their words, their art, and their photographs, the aim of this book is to display for the world women whose visions may transform communities and inspire young women to lead us into the future. Regardless of gender and positionality, its intent is to educate and inspire young minds to become the role models we need. Also, to keep in mind that revolutionary women, must nurture young boys to become respectful men who love and treat women as equal human beings. Women, Mujeres, Ixoq: Revolutionary Visions is a reminder that we all have a story of resilience and that every woman is a revolutionary in her own right.
We Are Bridges
"In this evocative memoir, Cassandra Lane deftly uses the act of imagination to reclaim her ancestors’ story as a backdrop for telling her own. The tradition of Black women’s storytelling leaps forward within these pages—into fresh, daring, and excitingly new territory." —Bridgett M. Davis, author of The World According to Fannie Davis When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt's lynching at the hands of vengeful white men in his southern town. We Are Bridges turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family—and considers how to take back one’s American story.
The Orchid of Quetzalí
In the first story of this trilogy, we follow the life of Quetzalí, a girl living in Tactic, Guatemala, a place where Poqomchi' is spoken. She grows up helping her family in the market and working on her kemb'al, a backstrap loom. On weekends, they visit the Biotopo of the Quetzal, where they learn about the importance of this bird and the monja blanca orchid, both endangered. One day, soldiers deliver documents to her father that force them to leave their home. Devastated, Quetzalí prepares for a long and difficult journey north, leaving behind her house and her town. Before leaving, she decides to take the monja blanca orchid, hoping it survives the journey, symbolizing the beauty and ho...
Teaching Central American Literature in a Global Context
Central America has a long history as a site of cultural and political exchange, from Mayan and Nahua trade networks to the effects of Spanish imperialism, capitalism, and globalization. In Teaching Central American Literature in a Global Context, instructors will find practical, interdisciplinary, and innovative pedagogical approaches to the cultures of Central America that are adaptable to various fields of study. The essays map out classroom lessons that encourage students to relate writings and films to their own experience of global interconnectedness and to read critically the history that binds Central America to the United States, Mexico, and the Caribbean. In the context of debates ...
