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  • Language: en
  • Pages: 248

"Then horror came into her eyes ..."

Biographische Informationen Claudia Glunz ist Mitarbeiterin des Erich Maria Remarque-Friedenszentrums an der Universität Osnabrück. Dr. Thomas F. Schneider leitet das Erich Maria Remarque-Friedenszentrums und lehrt Neuere Deutsche Literatur an der Universität Osnabrück. Reihe Krieg und Literatur / War and Literature International Yearbook on War and Anti-War Literature - Vol. XX.

Krieg und Literatur/War and Literature Vol. XIV, 2008
  • Language: en
  • Pages: 183

Krieg und Literatur/War and Literature Vol. XIV, 2008

  • Type: Book
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  • Published: 2009-10-28
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  • Publisher: V&R Unipress

Augenzeugenberichte zum 11. September 2001 und zu den Kriegen des 17. Jahrhunderts spannen den Bogen der Beiträge des vorliegenden Bandes. Eine Untersuchung der massenmedialen Darstellung der »Taten« des Kreuzers Emden im Ersten Weltkrieg – eine der zeitgenössischen Mythen – steht neben Analysen von Max Frischs »Die Chinesische Mauer« und den Schriften Pat Barkers. Der Band zeichnet sich durch eine Vielfalt von Ansätzen aus und repräsentiert dennoch nur ein kleines Spektrum der Bandbreite möglicher Themen. Ergänzt werden die Beiträge durch Rezensionen zu einschlägigen Neuerscheinungen sowie durch eine Bibliographie wissenschaftlicher Publikationen aus dem Jahr 2005.

Crisis and Form in the Later Writing of Ingeborg Bachmann
  • Language: en
  • Pages: 264

Crisis and Form in the Later Writing of Ingeborg Bachmann

  • Type: Book
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  • Published: 2012
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  • Publisher: MHRA

Ingeborg Bachmann (1927-73), one of the most acclaimed German-language poets of the post-war period, famously turned away from the lyric during the 1960s. Publicly declaring that she had stopped writing poetry, Bachmann began work on the prose Todesarten cycle that would dominate the last decade of her life. During a period of personal breakdown in the 1960s, however, she privately continued to write in verse, and the publication of selected drafts in 2000 threw new light on her compositional methods in this period. As the most extensive study to date of the poetic drafts, this monograph leads away from the polemic that surrounded their publication to establish the fragmentary texts as an experimental stage of writing that proved formally and thematically significant for later published prose works. Bridging the genre gap of much Bachmann scholarship, McMurtry illuminates the development of a reflexive mode where sophisticated aesthetic strategies enable the oblique expression of cultural critique. ine McMurtry is Lecturer in German at Durham University.

The Novels of Erich Maria Remarque
  • Language: en
  • Pages: 272

The Novels of Erich Maria Remarque

New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.

Women Writing War
  • Language: en
  • Pages: 352

Women Writing War

Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I...

Attitudes to war
  • Language: de
  • Pages: 288

Attitudes to war

The Swiss Sonderbund War, the German colonial wars, the First World War up until denazification and re-education after the Second World War - these and other themes are the topics of the contributions to this volume. They are all concerned with war experiences and attitudes to war as dealt with in literature and film. They thereby focus on authors and directors such as Shakespeare and his contemporaries, Adda Freifrau von Liliencron, Georg Kaiser, Fritz Lang, but also almost forgotten bestseller authors, such as Heinrich Wandt, who take a critical stance on war. The contributions are supplemented by critiques of pertinent new publications and a bibliography of studies from the disciplines of literature, linguistics, history and cinematographical and art studies from the year 2008.

Family Punishment in Nazi Germany
  • Language: en
  • Pages: 446

Family Punishment in Nazi Germany

  • Type: Book
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  • Published: 2012-05-29
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  • Publisher: Springer

In the Third Reich, political dissidents were not the only ones liable to be punished for their crimes. Their parents, siblings and relatives also risked reprisals. This concept - known as Sippenhaft – was based in ideas of blood and purity. This definitive study surveys the threats, fears and infliction of this part of the Nazi system of terror.

Envisioning Social Justice in Contemporary German Culture
  • Language: en
  • Pages: 336

Envisioning Social Justice in Contemporary German Culture

  • Categories: Art

Explores how contemporary German-language literary, dramatic, filmic, musical, and street artists are grappling in their works with social-justice issues that affect Germany and the wider world.

The Literature of Absolute War
  • Language: en
  • Pages: 283

The Literature of Absolute War

This is the first comparative transnational approach to the language of absolute war and the literature on World War II.

West Germany and the Global Sixties
  • Language: en
  • Pages: 409

West Germany and the Global Sixties

The anti-authoritarian revolt of the 1960s and 1970s was a watershed in the history of the Federal Republic of Germany. The rebellion of the so-called '68ers' - against cultural conformity and the ideological imperatives of the Cold War, against the American war in Vietnam, and in favor of a more open accounting for the crimes of the Nazi era - helped to inspire a dialogue on democratization with profound effects on German society. Timothy Scott Brown examines the unique synthesis of globalizing influences on West Germany to reveal how the presence of Third World students, imported pop culture from America and England, and the influence of new political doctrines worldwide all helped to precipitate the revolt. The book explains how the events in West Germany grew out of a new interplay of radical politics and popular culture, even as they drew on principles of direct-democracy, self-organization and self-determination, all still highly relevant in the present day.