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The Magical House
Life is hard in a city where injustice abounds. It is a load worse for an old bear whose entire life has been spent in captivity and having been on exhibition for a curious pack of two-legged beasts. It's unimaginably dreadful for another freedom-loving Spirit Bear cub to be the amusement slave to a multitude of stretched-mouthed, finger-flickering, bolt-upright monsters. It's equally as pelt-risingly terrifying for a little bear to witness the invasion of his home forest by thunderous monster machines driven by the most feared creature of all: Man. And have his Momma taken away in a metal cage! But, when life couldn't get any worse, it's also bound to become incredible. And be filled with all kinds of adventures-this is exactly what happens to these three bears and to those who they encounter along the way in the Magical House.
What's Your Shine?
Everyone has a unique combination of strengths, hobbies, interests, need, and experiences-your Shine. Together, they create the light you bring to the world. The Shine Method and this book will help you find yours.
Maria Stuart
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Gender at Sea
For centuries seafaring people thought that the presence of women on board would mean bad luck: rough weather, shipwreck, and other disasters were sure to follow. Because of these beliefs and prejudices women were supposedly excluded from the maritime domain. In the field of maritime history too, the ship and the sea have predominantly been perceived as a space for men. This volume of the Yearbook of Women’s History challenges these notions. It asks: to what extent were the sea and the ship ever male-dominated and masculine spaces? How have women been part of seafaring communities, maritime undertakings, and maritime culture? How did gender notions impact life on board and vice versa? From a multidisciplinary perspective, this volume moves from Indonesia to the Faroe Islands, from the Mediterranean to Newfoundland; bringing to light the presence of women and the workings of gender on sailing, whaling, steam, cruise, passenger, pirate, and navy ships. As a whole it demonstrates the diversity and the agency of women at sea from ancient times to the present day.
The Shape and Message of Book III (Psalms 73-89)
This study of Book III of the Psalter examines evidence for the canonical organization of these seventeen psalms and finds cohesive links that create a consistent and coherent dialogue throughout. Continual laments by a righteous individual on behalf of and in concert with the nation spring from the non-fulfilment of hopes raised in Psalm 72 at the end of Book II. Divine answers give reasons for the continuing desolation but assure the eventual establishment of a kingdom without specifying its time. Book III ends as it began, asking how long God's wrath will smoulder, and in response Book IV opens with Psalm 90 contrasting human and divine perspectives on time.
Asia in Amsterdam
Discusses the Asian luxury goods that were imported into the Netherlands during the 17th century and demonstrates the overwhelming impact these works of art had on Dutch life and art during the Golden Age
Bompanero
Een vrolijke, maar soms duistere geschiedenis, waarin een erfeniskwestie, een onmetelijk fortuin en het misdadig optreden van meesterschurk Ricardo, heel het familiale leven van Nero overhoop dreigen te gooien. Er komen magische krachten aan te pas. Geld, de wortel van alle kwaad, speelt hier samen met heel wat vrouwelijk schoon, een zeer nefaste rol. Verwijzingen naar de actualiteit zijn nooit ver weg. Vraag is of het wel allemaal goed zal aflopen voor Nero en zijn kompanen ...
20 Years 010
Published for 010 Publisher's twentieth anniversary in 2003, this volume celebrates the publishing vision of Hans Oldewarris and Peter de Winter, 010's founders. Besides hundreds of monographs by and about Dutch architects, 010 has published books on architecture, interior design, photography, industrial design, graphic design and the visual arts. Exhaustively annotated and illustrated, 20 Years 010 provides not only the technical details of each book (size, format, binding) but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay, Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
