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Feminine Nation
A study of contemporary Anglo-Irish literature focusing on how it interacts with the society that gives it context and impacts what is to come. Considers the literature as post-colonial, and shows how it is working out the same problems as other such literature throughout the world. The main themes are gender construction and oppression and nation building. Annotation copyrighted by Book News, Inc., Portland, OR
Haunting without Ghosts
An ambitious critical account of "spectral realism," a new, politically charged strain of literature, film, and art that responds to Colombia's drug wars, paramilitary violence, and resulting demands for justice.
Late Imperial Culture
Spanning time and space from late Victorian Britain and Ireland to postwar America and Latin America, Late Imperial Culture maps crucial regions in the terrain of imperial cultural practices including theater, film, photography, fiction, autobiography, and body art. The forms reviewed in this lively collection range from those which accept and reproduce empire's dominant self-images to scathing critiques of the oppressions that colonialism has visited upon its subjects and the price it continues to exact from them. A diverse range of theoretically sophisticated and historically informed contributors take as given two fundamental facts about the culture of imperialism: firstly, that it has a long and complex history which, in the present epoch, merits its being designated "late"; and, secondly, that its impact on the contemporary world is far from exhausted. Together they highlight the contradictions in the serried cultural practices of imperialism in its different historical periods. Contributors: Aijaz Ahmad, Steven Cagan, Romn de la Campa, David Glover, May Joseph, Caren Kaplan, Rob Nixon, Ella Shohat, Robert Stam, and Marianna Torgovnick.
The End of Diversity in Art Historical Writing
The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
Territorial Rule in Colombia and the Transformation of the Llanos Orientales
Until the 1980s, Colombia's Llanos Orientales was a frontier, a vast tropical grassland plain east of the Andes. Populated mainly by indigenous people, it was considered "primitive" by much of the rest of Colombia. All of that changed when exploitable petroleum deposits were discovered, and the Llanos was transformed into the fastest growing region in the country. Rausch surveys sixty years of the area's history, from La Violencia—the civil war that rocked the country from 1948 to 1958—and the presidency of Rojas Pinilla, who helped pacify the Llanos in the late 1950s, to the National Front agreement between the Conservative and Liberal parties during the 1960s, its aftermath, and the rapid changes during the last half of the twentieth century. Using archival research and her own first-hand experiences, Jane Rausch examines the Colombian government's Llanos policies and the political, economic, and social changes they have brought about. This book brings to a strong conclusion Rausch's large-scale historical survey of a region: one sharing much in common with other South American frontiers and critical to Colombia's present and future.
Rock Aesthetics in Colombian Literature and Culture
Rock Aesthetics in Colombian Literature and Culture: Writing the Noise explores the presence of a rock aesthetic in the Colombian literary field and how its pivotal role in creating alternative creative expressions that challenge the dominance of tropicality as the prevailing artistic reference. More than a musical genre or a cultural industry, rock is also an aesthetic: a significant social practice that allows one to understand what people consider beautiful or authentic. Since its birth in the mid-1950s, rock as an aesthetic has expanded worldwide, transforming and establishing dialogues with artistic practices such as literature. Through an analysis of a series of novels, poems, and manifestos written from the 1950s to the early years of the twenty-first century, David Martínez Houghton embarks on a literary, musical, and historical journey. On the way, he explores complex phenomena such as urban violence, the formation of youth identities, the penetration of pop culture, national identity discourses, and even the social and physical transformation of Colombian cities.
A través del cuerpo
The series by Lina Espinosa, (b. Colombia, 1964), "Through the Body", explores the emotional reactions of victims of violence, a sector of the population that every day grows in the present conflict in Colombia. It evokes complex emotions of pain, being forgotten and impotence. In the drawings of this series the action of the light on the paper and the shading create backligted empty spaces. The light arrived by accident and and becomes the protagonis.
Building Yanhuitlan
Through years of fieldwork in the state of Oaxaca, Mexico, art historian and archaeologist Alessia Frassani formulated a compelling question: How did Mesoamerican society maintain its distinctive cultural heritage despite colonization by the Spanish? In Building Yanhuitlan, she focuses on an imposing structure—a sixteenth-century Dominican monastery complex in the village of Yanhuitlan. For centuries, the buildings have served a central role in the village landscape and the lives of its people. Ostensibly, there is nothing indigenous about the complex or the artwork inside. So how does such a place fit within the Mixteca, where Frassani acknowledges a continuity of indigenous culture in th...
Bartolomé de las Casas, O.P.
Bartolomé de las Casas, O.P.: History, Philosophy, and Theology in the Age of European Expansion marks a critical point in Lascasian scholarship. The result of the collaborative work of seventeen prominent scholars, contributions span the fields of history, Latin American studies, literary criticism, philosophy and theology. The volume offers to specialists and non-specialists alike access to a rich and thoughtful overview of nascent colonial Latin American and early modern Iberian studies in a single text. Contributors: Rolena Adorno; Matthew Restall; David Thomas Orique, O.P.; Rady Roldán-Figueroa; Carlos A. Jáuregui; David Solodkow; Alicia Mayer; Claus Dierksmeier; Daniel R. Brunstetter; Víctor Zorrilla; Luis Fernando Restrepo; David Lantigua; Ramón Darío Valdivia Giménez; Eyda M. Merediz; Laura Dierksmeier; Guillaume Candela, and Armando Lampe.
A History of Colombian Literature
In recent decades, the international recognition of Nobel Laureate Gabriel García Márquez has placed Colombian writing on the global literary map. A History of Colombian Literature explores the genealogy of Colombian poetry and prose from the colonial period to the present day. Beginning with a comprehensive introduction that charts the development of a national literary tradition, this History includes extensive essays that illuminate the cultural and political intricacies of Colombian literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as José Eustacio Rivera, Tomás Carrasquilla, Alvaro Mutis, and Darío Jaramillo Agudelo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of colonialism and multiculturalism in Colombian literature. This book is of pivotal importance to the development of Colombian writing and will serve as an invaluable reference for specialists and students alike.
