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Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to miss The Past Is a Moving Picture
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (195...
“Contradictions” is a general interest book that exposes the incompatibility between popular religious beliefs and the scientific view of human nature. It begins with a survey of the evolution of religions and their continuing, often irrational, influences in modern society. Then, based on his long experience in neuroscience, the author takes issue with Decartes about the duality of body and soul. He presents case studies of patients with brain diseases and from these deduces that the soul, far from being separate and supernatural, is no more or less than our way of experiencing our brains ... and which correspondingly disintegrates when they do. Convincing clinical findings and powerful arguments about the universality of truth make this book a bold contribution to the debate about belief and religion in the modern world.
"As someone who has spent forty years in psychology with a long-standing interest in evolution, I'll just assimilate Howard Bloom's accomplishment and my amazement."-DAVID SMILLIE, Visiting Professor of Zoology, Duke University In this extraordinary follow-up to the critically acclaimed The Lucifer Principle, Howard Bloom-one of today's preeminent thinkers-offers us a bold rewrite of the evolutionary saga. He shows how plants and animals (including humans) have evolved together as components of a worldwide learning machine. He describes the network of life on Earth as one that is, in fact, a "complex adaptive system," a global brain in which each of us plays a sometimes conscious, sometimes ...
From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window. As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed p...
This richly illustrated book is unique in bringing Einstein's relativity to a higher level for the non-specialist than has ever been attempted before, using nothing more than grade-school algebra. Bondi's approach with spacetime diagrams is simplified and expanded, clarifying the famous asymmetric aging-of-twins paradox. Einstein's theory of gravity, general relativity, is simplified for the reader using spacetime diagrams. The theory is applied to important topics in physics such as gravitational waves, gravitational collapse and black holes, time machines, the relationship to the quantum world, galactic motions and cosmology.
Was sind die konstitutiven Elemente verschiedener Formen sozialer Nahbeziehungen? Welche Rolle spielen Praktiken der Inklusion und Exklusion bei der Formierung, Aushandlung und Aufrechterhaltung von Gruppen? Wie werden Vertrauens- und Loyalitätsbindungen geschaffen und bewahrt? Wie gehen Gemeinschaften mit Konflikten um? Dieser Band hat das Ziel, den Fokus von dyadischen Nahbeziehungen hin zu Gemeinschaften und Gruppen zu verlagern. Er beinhaltet interdisziplinäre Beiträge und Fallstudien zu unterschiedlichen kulturellen, historischen und geographischen Kontexten. Die Beiträge konzentrieren si.
Identifying quickly illusion with deception, we tend to oppose it to the reality of life. However, investigating in this collection of essays illusion's functions in the Arts, which thrives upon illusion and yet maintains its existential roots and meaningfullness in the real, we might wonder about the nature of reality itself. Does not illusion open the seeming confines of factual reality into horizons of imagination which transform it? Does it not, like art, belong essentially to the makeup of human reality? Papers by: Lanfranco Aceti, John Baldacchino, Maria Avelina Cecilia Lafuente, Jo Ann Circosta, Madalina Diaconu, Jennifer Anna Gosetti-Ferencei, Brian Grassom, Marguerite Harris, Andrew E. Hershberger, James Carlton Hughes, Lawrence Kimmel, Jung In Kwon, Ruth Ronen, Scott A. Sherer, Joanne Snow-Smith, Max Statkiewicz, Patricia Trutty-Coohill, Daniel Unger, James Werner.