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Imagining the Woman Reader in the Age of Dante
A study of the figure of the woman reader in medieval Italian literature that places her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions imagined her.
Italian Readers of Ovid from the Origins to Petrarch
The Latin poet Ovid continues to fascinate readers today. In Italian Readers of Ovid from the Origins to Petrarch, Julie Van Peteghem examines what drew medieval Italian writers to the Latin poet’s works, characters, and themes. While accounts of Ovid’s influence in Italy often start with Dante’s Divine Comedy, this book shows that mentions of Ovid are found in some of the earliest poems written in Italian, and remain a constant feature of Italian poetry over time. By situating the poetry of the Sicilians, Dante, Cino da Pistoia, and Petrarch within the rich and diverse history of reading, translating, and adapting Ovid’s works, Van Peteghem offers a novel account of the reception of Ovid in thirteenth- and fourteenth-century Italy.
Dante's Performance
Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same t...
The Author in Criticism
The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (...
Dante's Tenzone with Forese Donati
‘And by now, mind, it’s too late to redeem your debts by giving up guzzling.’ Dante's poetic correspondence (or tenzone) with Forese Donati, a relative of his wife, was rife with crude insults: the two men derided one another on topics ranging from sexual dysfunction and cowardice to poverty and thievery. But in his Commedia, rather than denying this correspondence, Dante repeatedly acknowledged and evoked the memory of his youthful put-downs. Dante's Tenzone with Forese Donati examines the lasting impact of these sonnets on Dante's writings and Italian literary culture, notably in the work of Giovanni Boccaccio. Fabian Alfie expands on derision as an ethical dimension of medieval literature, both facilitating the reprehension of vice and encouraging ongoing debates about the true nature of nobility. Outlining a broad perspective on the uses of literary insult, Dante's Tenzone with Forese Donati also provides an evocative glimpse of Dante's day-to-day life in the twelfth century.
The Myth of Piers Plowman
A revisionary account of the powerful myths that grew up around the production and reception of the great medieval poem. Also available as Open Access.
Poetry and Identity in Quattrocento Naples
Poetry and Identity in Quattrocento Naples approaches poems as acts of cultural identity and investigates how a group of authors used poetry to develop a poetic style, while also displaying their position toward the culture of others. Starting from an analysis of Giovanni Pontano’s Parthenopeus and De amore coniugali, followed by a discussion of Jacopo Sannazaro’s Arcadia, Matteo Soranzo links the genesis and themes of these texts to the social, political and intellectual vicissitudes of Naples under the domination of Kings Alfonso and Ferrante. Delving further into Pontano’s literary and astrological production, Soranzo illustrates the consolidation and eventual dispersion of this author’s legacy by looking at the symbolic value attached to his masterpiece Urania, and at the genesis of Sannazaro’s De partu Virginis. Poetic works written in neo-Latin and the vernacular during the Aragonese domination, in this way, are examined not only as literary texts, but also as the building blocks of their authors’ careers.
Ethics, Politics and Justice in Dante
Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-facet...
Vertical Readings in Dante's Comedy
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Manuscript Poetics
Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological ne...
