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The first comprehensive history of how Maori have emerged from the silence of depictions by European writers to claim their own literary voice, with a focus on Patricia Grace and Witi Ihimaera
Raja Rao Is One Of The Triumvirate Of The Pioneering Indian Novelists In English. His Contribution To The Growth Of The English Novel In India Is Enormous. Each One Of His Novels Is A Trendsetter. Kanthapura, For Instance, Demonstrates How The English Language Can Be Used To Tell A Typically Indian Story Without Violating The Native Speech Rhythms And His The Serpent And The Rope Gave A New Direction To The Indian Novel In English By Philosophising It. His Range And Vision Transcend All Barriers. He Used The Fictional Medium To Portray His Patriotic And Philosophical Concerns In A Masterly Way.In This Volume, An Attempt Has Been Made To Assess Raja Rao S Novels And Short Stories In Terms Of His, Philosophy, Vision, Style, Themes And Techniques. It Is Hoped That Raja Rao Scholars Across The Globe Will Find The Book Irresistible.
The contemporary study of Australian literature ranges widely across issues of general cultural studies, the politics of identity (both ethnic and gendered), and the position of Australia within wider postcolonial contexts. This volume intervenes in the most significant of issues in these areas from a variety of international perspectives.
The first collection of letters in English by one of the great writers of the twentieth century This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter’s Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a ge...
Nightmares With Teasingly Symbolic Undertones, Events That Are Difficult To Disbelieve, Yet More Difficult To Believe, Obsessions That Pass Off As The Bench Marks Of Normalcy All Together Contribute To The Narrator S Confusion And Push Him Into The Outer Edge Of The Mind. This Narrator Named Debasis, A Settled, Middle-Aged, Utterly Ordinary Bloke, Becomes Aware Of His Somewhat Neurotic State Of Mind, And Tries, In His Own Eccentric Way, To Regain His Mental/Emotional Well-Being By Re-Living And Scribbling Down His Past Encounters, Events, Etc., Which Turn Out To Be Equally Confusing, Equally Engrossing. The Characters Associated With His Past Are A Curious Lot Some Crazy, Some Funny, Some Sublime, Some Bawdy But All Believably Human.It Is The Story Of Every Sensitive Individual Living In A Postmodern, Strife-Torn World Which Could Be An Enlarged Version Of The Wave Crest Lodge Situated On The Beach Of The Bay Of Bengal.The Novel Abounds In Sudden Turns And Surprises. It Ends With A Hint Of Hope : The Confusion Will Always Be There, But The Ordinary, Simple Man Living In The Valley May Not Die Of Thirst As Long As There Is A Perennial Stream On The Top Of The Mountain.
The first study of the synergies between postcolonialism and the genre of the short story composite, Unsettling Stories considers how the form of the interconnected short story collection is well suited to expressing thematic aspects of postcolonial writing on settler terrain. Unique for its comparative considerations of American, Canadian, and Australian literature within the purview of postcolonial studies, this is also a considered study of the difficult place of the postcolonial settler subject within academic debates and literature. Close readings of work by Tim Winton, Margaret Laurence, William Faulkner, Stephen Leacock, Sherwood Anderson, Olga Masters, Scott R. Sanders, Thea Astley, Tim O’Brien and Sandra Birdsell are positioned alongside critical discussions of postcolonial theory to show how awkward affiliations of individuals to place, home, nation, culture, and history expressed in short story composites can be usefully positioned within the broader context of settler colonialism and its aftermath.
In retracing some of the routes followed by West African literature in English over the course of the last three decades, this book employs an original multidimensional approach whereby the three main genres - narrative, poetry and drama - are considered in the light of their intricate web of fecund rapport and mutual influence.Authors such as Tutuola, Armah, Aidoo and Awoonor translated the fluid structures of orality into written prose, and consequently infused their works with poetic and dramatic resonance, thereby challenging the canonical dominance of social realism and paving the way for the birth of West African magical realism in Laing, Okri and Cheney-Coker.Starting in the 1970s, po...
In this stimulating and highly original study of the writing of American history, twenty-four scholars from eleven European countries explore the impact of writing history from abroad. Six distinguished scholars from around the world add their commentaries. Arguing that historical writing is conditioned, crucially, by the place from which it is written, this volume identifies the formative impact of a wide variety of institutional and cultural factors that are commonly overlooked. Examining how American history is written from Europe, the contributors shed light on how history is written in the United States and, indeed, on the way history is written anywhere. The innovative perspectives included in Historians across Borders are designed to reinvigorate American historiography as the rise of global and transnational history is creating a critical need to understand the impact of place on the writing and teaching of history. This book is designed for students in historiography, global and transnational history, and related courses in the United States and abroad, for US historians, and for anyone interested in how historians work.
In 1918 , a one-month stint with the American Red Cross ambulance corps at the Italian front marked the beginning of Ernest Hemingway’s fascination with Italy—a place second only to Upper Michigan in stimulating his lifelong passion for geography and local expertise. Hemingway’s Italy offers a thorough reassessment of Italy’s importance in the author’s life and work during World War I and the 1920s, when he emerged as a promising young writer, and during his maturity in the late 1940s and early 1950s. This collection of eighteen essays presents a broad view of Hemingway’s personal and literary response to Italy. The contributors, some of the most distinguished Hemingway scholars,...