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The Voice of the People
‘The Voice of the People’ presents a series of essays on literary aspects of the European folk revival of the eighteenth and nineteenth centuries, and focuses on two key practices of antiquarianism: the role that collecting and editing played in the formation of ethnological study in the European academy; and the business of publishing and editing, which produced many ‘folkloric’ texts of dubious authenticity. The volume also presents new readings of various genres, including the epic, song, tale and novel, and contributes to the study of several crucial European literary figures. Above all, it investigates the great anonymous authors of the European folk tradition – in narrative and lyric art – and their relation to the cultural movements and imagined identities of the peoples of the emerging nineteenth-century European nation.
Tropics of Vienna
The Austrian Empire was not a colonial power in the sense that fellow actors like 19th-century England and France were. It nevertheless oversaw a multinational federation where the capital of Vienna was unmistakably linked with its eastern periphery in a quasi-colonial arrangement that inevitably shaped the cultural and intellectual life of the Habsburg Empire. This was particularly evident in the era’s colonial utopian writing, and Tropics of Vienna blends literary criticism, cultural theory, and historical analysis to illuminate this curious genre. By analyzing the works of Leopold von Sacher-Masoch, Theodor Herzl, Joseph Roth, and other representative Austrian writers, it reveals a shared longing for alternative social and spatial configurations beyond the concept of the “nation-state” prevalent at the time.
The Universal Vampire
Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a...
Imperial Messages
Orientalism as self-critique rather than hegemonic discourse in works by Hofmannsthal, Musil, and Kafka. In recent years a debate has arisen on the applicability of postcolonial theory to the Austro-Hungarian Empire. Some have argued that Austria-Hungary's lack of overseas territories renders the concepts of colonialism and postcolonialism irrelevant, while others have cited the quasi-colonial attitudes of the Viennese elite towards the various "subject peoples" of the empire as a point of comparison. Imperial Messages applies postcolonial theory to works of orientalist fiction by Hugo von Hofmannsthal, Robert Musil, and Franz Kafka, all subjects of the empire, challenging Edward Said's noti...
A Companion to the Works of Robert Musil
A fresh and extensive look at the works of the great Austrian novelist in the context of the German and Austrian culture of his time.
Misfire
By narrating the Sarajevo assassination in a broad historical context, Misfire contends that the most consequential political murder in modern history would have remained inconsequential if not for the decisions made by the leaders of Europe's Great Powers.
Southeast European Studies in a Globalizing World
Since the early 1990s, Southeast European studies have undergone profound changes, being shaped by the wars of Yugoslav succession and the ramifications of post-socialism, coupled with democratic deficiencies, which characterize most of Southeast Europe. The countries which it encompasses rest uneasily on the periphery of the developed variant of Western capitalism, but they have nonetheless to contend with the challenges of adjusting to a market economy. The imprint of these contexts on academic research has led to a discussion of the role of Southeast European studies. It is the task of this volume to summarize and raise awareness of this discussion. (Series: Studies on South East Europe - Vol. 16) [Subject: European Studies, Sociology, Politics]
Making Muslim Women European
This social, cultural, and political history of Slavic Muslim women of the Yugoslav region in the first decades of the post-Ottoman era is the first to provide a comprehensive overview of the issues confronting these women. It is based on a study of voluntary associations (philanthropic, cultural, Islamic-traditionalist, and feminist) of the period. It is broadly held that Muslim women were silent and relegated to a purely private space until 1945, when the communist state “unveiled” and “liberated” them from the top down. After systematic archival research in Bosnia, Croatia, Serbia, and Austria, Fabio Giomi challenges this view by showing: • How different sectors of the Yugoslav ...
Language Diversity in the Late Habsburg Empire
The Habsburg Empire often features in scholarship as a historical example of how language diversity and linguistic competence were essential to the functioning of the imperial state. Focusing critically on the urban-rural divide, on the importance of status for multilingual competence, on local governments, schools, the army and the urban public sphere, and on linguistic policies and practices in transition, this collective volume provides further evidence for both the merits of how language diversity was managed in Austria-Hungary and the problems and contradictions that surrounded those practices. The book includes contributions by Pieter M. Judson, Marta Verginella, Rok Stergar, Anamarija Lukić, Carl Bethke, Irina Marin, Ágoston Berecz, Csilla Fedinec, István Csernicskó, Matthäus Wehowski, Jan Fellerer, and Jeroen van Drunen.
Women and Death
Identifies and analyzes thematizations of women and death from the past five centuries, illuminating the present and recent past. The theme of women and death is pervasive in the German culture of the past five centuries. With the conviction that only an interdisciplinary approach can explore a typology as far-reaching and significant as this, and in accordance with the feminist tenet that images are accountable for norms, this volume investigates how iconic representations of women and death came about and why they endure. Traditionally, representations of women as agents of death -- when they have been considered at all -- have been considered separately from women as victims, as though th...
