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This book covers all aspects of diagnostic and therapeutic bronchoscopy, which go beyond the techniques of inspection, simple lavage and biopsies of the tracheobronchial tree. In a first section, historical aspects as well as the modern use of both rigid and flexible instruments, the set-up of a bronchoscopy unit, anaesthetic techniques, and functional evaluation for patients undergoing interventional bronchoscopy are discussed. A diagnostic section on transbronchial needle aspiration and bronchoscopic ultrasound is followed by extensive coverage of all existing therapeutic techniques: foreign body removal, laser resection, electrocautery, argon plasma coagulation, cryotherapy, brachytherapy...
Although she appears in only a handful of scenes in Hamlet, Ophelia is one of Shakespeare's most enigmatic and unforgettable characters. This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges connections among fields that are typically pursued as separate lines of inquiry within Shakespeare studies: film and new media studies, theatre and performance studies, historicist and contextual perspectives, and studies of popular culture.
At present lung cancer is the most common cancer in the world and responsible for over 1 million deaths worldwide. Advances in bronchoscopy have helped to increase detection rates of central type early lung cancer. These lesions are invisible on the basis of radiological methods. They usually show only subtle changes of the bronchial mucosa and are therefore sometimes difficult to identify by conventional bronchoscopy. The data showing the ability to increase the diagnostic rate for early lung cancer in the central airways by autofluorescence bronchoscopy are convincing. Video-chip-autofluorescence bronchoscopy seems to be one of the technologies with the largest impact on diagnostic bronchoscopy in the last decades.
Hamlet and Ophelia express the infinite variety of their passion in a work which takes the form of an epistolary play in verse. Steven Berkoff's startlingly original drama charts the lovers' story beneath the surface of Shakespeare's play. With a muscularity of language tempered with tenderness, Berkoff's play is shot through with images of courtly love, sexual desire and intimations of future tragedy. The chill of the ending perfectly offsets the preceding violent heat in what is another unique piece of work from the individual talent that is Steven Berkoff. The Secret Love Life of Ophelia was first performed at the King's Head Theatre, London, on 25 June 2001.
This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
The theoretical ferment which has affected literary studies over the last decade has called into question traditional ways of thinking about, classifying and interpreting texts. Shakespeare has been not just the focus of a variety of divergent critical movements within recent years, but also increasingly the locus of emerging debates within, and with, theory itself. This collection of essays, written by distinguished and powerful critics in the fields of literary theory and Shakespeare studies, is intended both for those interested in Shakespeare and for those interested more generally in the emerging debates within contemporary criticism and theory.
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. T...
The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.