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WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD How does a literary historian end up thinking in terms of z-scores, principal component analysis, and clustering coefficients? The essays in Distant Reading led to a new and often contested paradigm of literary analysis. In presenting them here Franco Moretti reconstructs his intellectual trajectory, the theoretical influences over his work, and explores the polemics that have often developed around his positions. From the evolutionary model of “Modern European Literature,” through the geo-cultural insights of “Conjectures of World Literature” and “Planet Hollywood,” to the quantitative findings of “Style, inc.” and the abstract patterns of “Network Theory, Plot Analysis,” the book follows two decades of conceptual development, organizing them around the metaphor of “distant reading,” that has come to define—well beyond the wildest expectations of its author—a growing field of unorthodox literary studies.
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The detective story--the classic whodunit with its time-displacement structure of crime--according to most literary historians, is of relatively recent origin. Early in its development, the whodunit was harshly criticized for its tightly formula-bound structure. Many critics prematurely proclaimed "the death of the whodunit" and even of detective fiction altogether. Yet today, the genre is alive, as contemporary authors have brought it into modern times through a significant integration of elaborate character development and psychology. With the modern psychological detective story emerging from the historical cauldron of detective fiction and early psychology, the genre continues to develop a complexity that reflects and guides the literary sophistication needed. This book, the first of its kind, analyzes over 150 whodunit novels and short stories across the decades, from The Moonstone to the contemporary novels that saved the genre from an ignominious death.
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