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Rembrandt's Journey
The first comprehensive survey of Rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings.
British Prints from the Machine Age
Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport and diversion which the Grosvenor School artists created in order to introduce a broader public to modern art and design. Interest in this era is peaking among collectors, curators and art historians and this is an ideal moment to introduce these innovative British printmakers to a wider public.
Bradford Washburn
In Bradford Washburn: Mountain Photography, one hundred large-format mountain photographs, selected from more than 10,000 images, take the reader through Washburn's lifetime of accomplishments. Aerial images of high mountains, looking more like bold relief maps, are captured in extreme raking light. An in-depth Washburn interview by Antony Decaneas brings a voice to the life portrayed in images. Also included is an extensive, unique chronology of the major events in Washburn's life and career, illustrated with 40 additional images.
Holland on Paper in the Age of Art Nouveau
In the era of Art Nouveau, from the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe. Holland also saw an explosion of inventive art and design in this period, including many expressive works on paper - posters, decorative calendars, illustrated books, as well as prints and drawings. The MFA has been actively collecting these Dutch works for the last 25 years, and this exhibition highlights of 45 works early drawings by well-known artists Piet Mondrian and Bart van der Leck, as well as works by such new discoveries as Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G.W. Dijsselhof, and C.A. Lion Cachet.
Jim Dine
Catalog of an exhibition "Jim Dine--Theme and Variation: A Half Century of Printmaking" held at Nagoya/Boston Museum of Fine Arts, Nagoya, Japan, Apr. 23-Aug. 28, 2011.
Goya
Francisco Goya has been widely celebrated as the most important Spanish artist of the late eighteenth and early nineteenth centuries, the last of the Old Masters and the first of the Moderns, and an astute observer of the human condition in all its complexity. The many-layered and shifting meanings of his imagery have made him one of the most studied artists in the world. Few, however, have made the ambitious attempt to explore his work as a painter, printmaker, and draftsman across media and the timeline of his life. This book does just that, presenting a comprehensive and integrated view of Goya through the themes that continually challenged or preoccupied him, and revealing how he strove relentlessly to understand and describe human behavior and emotions even at their most orderly or disorderly extremes. Derived from the research for the largest Goya art exhibition in North America in a quarter century, this book takes a fresh look at one of the greatest artists in history by examining the fertile territory between the two poles that defined the range of his boundlessly creative personality.
The Restoration of Engravings, Drawings, Books, and Other Works on Paper
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Linocuts of the Machine Age
Drawing on a wealth of primary sources, including letters, memoirs, photographs and critical appraisals in the press, Stephen Coppel provides a fascinating account of the work and lives of these seven artists. This book will introduce to a new audience the vitality and appeal of these prints, which, from the Second World War until quite recently, have been largely overlooked. A key feature of the book is an extensive and fully illustrated catalogue raisonne which documents over 380 linocuts, arranged in chronological order by artist. The catalogue records their exhibition history and location and provides documentary and contextual notes on individual entries.
Cape Light
Cape Light, Joel Meyerowitz's series of serene and contemplative color photographs taken on Cape Cod, Massachusetts, quickly became one of the most influential and popular photobooks in the latter part of the 20th century after its publication in 1978, breaking new ground both for color photography and for the medium's acceptance in the art world. Now, more than 35 years later, Joel Meyerowitz: Cape Light is back. This edition features all the now-iconic images, newly remastered and luxuriously printed in a larger format. In Cape Light, everyday scenes--an approaching storm, a local grocery store at dusk, the view through a bedroom window--are transformed by the stunning natural light of Cape Cod and the luminous vision of the photographer. Though Meyerowitz had begun shooting in color on the streets of New York a decade earlier, it was this collection of photographs that brought his sensitive color photography to wider notice. Meyerowitz is a contemporary master of color photography, and this powerful, captivating photobook is a classic of the genre.
