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'Created’ by Steven Spielberg yet officially directed by Tobe Hooper, Poltergeist (1982) can be best described as ‘family horror movie’ both in its target audience and in its narrative context, the story of an All-American suburban family, the Freelings, whose home suddenly becomes the site of a spectacular haunting, apparently summoned by their young daughter. The film is somewhat of an anachronism and this Devil's Advocate explores this in both the scope of production and narrative. The book discusses the duality of the text highlighting debates surrounding both Spielberg's somewhat saccharine portrayal of middle-class Americana and his more subversive cinematic endeavours. The duali...
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Blood and Wine is complied from a collection of fictional writings, free verse and autobiographical material I wrote and published in several books over the years. I selected segments I thought were essential to the general focus of my book to hone prose and target free verse to signify the creative process within which my book strives. I began the book with a poetic challenge-Intruders, do not enter the mind / of the unborn child in the womb of thought-thereby promoting prose against the originality of free verse.
Many fans of Robin Hardy’s The Wicker Man (1973) may know that this classic is considered a fine sample of folk horror. Few will consider that it’s also a prime example of holiday horror. Holiday horror draws its energy from the featured festive day, here May Day. Sergeant Neil Howie (Edward Woodward), a “Christian copper,” is lured to the remote Scottish island Summerisle where, hidden from the eyes of all, a thriving Celtic, pagan religion holds sway. His arrival at the start of the May Day celebration is no accident. The clash between religions, fought on the landscape of the holiday, drives the story to its famous conclusion. In this Devil’s Advocate, Steve A. Wiggins delineate...
When Chalmers decides to attend one of Dr. Lanson's nightly séances, it's not because he has any belief in the occult, but simply to find somewhere warm to rest his weary feet. It's a decision he soon regrets. First, a luminous cloud forms in the air over the heads of the assembled people. A strange voice speaks, warning that someone in the room is about to die to prevent him from revealing secrets. The man sitting next to him leaps to his feet, yelling his defiance--and then the lights are extinguished. As the man's voice is cut off, a girl's ear-piercing shriek reverberates...and Terror Stalks the Séance Room! Just one of eleven exciting macabre crime short stories by a master of the form!
Two small boys, one black the other white, get up to all sorts of tricks in 1940s North Carolina. One day they enroll a third boy and borrow a taxi to drive to an amusement park, an adventure which ends badly. A debut in fiction.
In recent years, teen witches have become highly visible figures. Fictional adolescent witches have headlined popular television shows like The Chilling Adventures of Sabrina (2018-2021) and American Horror Story: Coven (2013-2014), while their real-life counterparts have become minor celebrities on Instagram and TikTok. As such, now is the ideal time to revisit Andrew Fleming’s 1996 supernatural horror film The Craft. A cult favourite, especially amongst young women, The Craft is a story about teen witches that employs the conventions of occult horror to explore themes of power, friendship and responsibility. This entry in the Devil’s Advocates series is a deep dive into the history, production and meaning of The Craft. Situating The Craft within the teen horror revival of the 1990s, Miranda Corcoran analyses the film within the context of nineties popular and political culture, while also discussing its treatment of issues such as race, gender, sexuality and class. Delving into the history of witchcraft beliefs and persecutions, this book also investigates how The Craft modifies the archetype of the witch and traces the film’s influence on subsequent popular culture.
This is a comprehensive modern dictionary of the major indigenous language of Mexico, the language of the Aztecs and many of their neighbors. Nahuatl speakers became literate within a generation of contact with Europeans, and a vast literature has been composed in Nahuatl beginning in the mid-sixteenth century and continuing to the present.