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Maybe Tomorrow
Winner of the ANA Drama Prize, 2014, Maybe Tomorrow is a drama that conveys the searing anger of a new generation in Nigeria.
Theatre Pedagogy in the Era of Climate Crisis
This volume explores whether theatre pedagogy can and should be transformed in response to the global climate crisis. Conrad Alexandrowicz and David Fancy present an innovative re-imagining of the ways in which the art of theatre, and the pedagogical apparatus that feeds and supports it, might contribute to global efforts in climate protest and action. Comprised of contributions from a broad range of scholars and practitioners, the volume explores whether an adherence to aesthetic values can be preserved when art is instrumentalized as protest and considers theatre as a tool to be employed by the School Strike for Climate movement. Considering perspectives from areas including performance, directing, production, design, theory and history, this book will prompt vital discussions which could transform curricular design and implementation in the light of the climate crisis. Theatre Pedagogy in the Era of Climate Crisis will be of great interest to students, scholars and practitioners of climate change and theatre and performance studies.
Figures of the Migrant
This volume seeks to investigate the representation of the migrant and migration in literary texts and the arts. Through studies that examine works in a range of art forms ‒ novels, theatre, poetry, creative non-fiction, documentary films and performance and video installations ‒ that evoke a variety of historical and (trans)national contexts, the volume focuses on the question of the roles of literature and the arts in representing migration. An important issue considered is the extent to which artistic figuration can act as a counterpoint to social discourse on migrants that often involves stereotypes and reductive views. The different contributions to the volume illustrate that literature and the arts can provide readers and viewers with a space for fluid knowledge production and affective expansion and that within that overarching function, artistic works play three main roles with regard to representing migration: undertaking a socio-political and cultural critique, presenting alternative views to stereotypes that highlight the singularity and complexity of the migrant and providing proposals for different futures.
Sọ̀rọ̀sóke: An #Endsars Anthology
Sọ̀rọ̀sóke: An #Endsars Anthology began as a digital archive of poetry on the EndSARS movement of 2020 on BrittlePaper, functioning as a real-time repository of poetic thoughts on the protests against police brutality that took place both online and in numerous Nigerian locations. This print edition of the anthology rearticulates similar poetics of resistance, emphasizing the activist voice of a new generation of writers resisting the tyranny of silence and state violence.
Orisa Ibeji
Ahmed Yerima's play celebrates the phenomenon of twins among the Yoruba people. Orisa Ibeji is also about man's fear of death and love of life; destiny and reincarnation; and the place of the gods in human affairs. Yerima employs simple and beautiful language, dynamic characters and deft skill to navigate the labyrinth that is Orisa Ibeji
Death and the Kingís Grey Hair and Other Plays
Death and the King’s Grey Hair and Other Plays is a collection of three plays, ‘Death and the King’s Grey Hair,’ ‘Truce with the Devil,’ and ‘Fringe Benefits,’ which are all experimental plays from the early period of the writing career of Denja Abdullahi, who is presently renowned as a poet of populist expressions. ‘Death and the King’s Grey Hair’ examines the use and misuse of absolute power based on an ancient Jukun myth of young kings and short reigns. ‘Truce with the Devil’ is a satire on the later abandonment of the creed of Marxism by its adherents, a kind of mockery of turncoat revolutionaries in the grip of practical social realities. ‘Fringe Benefits’, a radio play, is an expose of the happening in Nigeria’s ivory towers, seen from the eyes of a participant-observer.
Iredi War
Iredi War was the winner of The Nigeria Prize for Literature 2014. The playwright introduces the notion of 'folk script' with its special stamp. The use of the oral literature genre allows for the full exploitation of the creative licence which allows for the swings from the historical to the oral, the natural to the supernatural, the real to the fantastic.
Murder in the Crooked House
The sequel to the acclaimed Tokyo Zodiac Murders – a fiendish locked room mystery from the Japanese master of the genre The Crooked House sits on a snowbound cliff at the remote northern tip of Japan. A curious place to build a house, but even more curious is the house itself – a maze of sloping floors and strange staircases, full of bloodcurdling masks and uncanny dolls. When a guest is found murdered in seemingly impossible circumstances, the police are called. But they are unable to solve the puzzle, and more bizarre deaths follow. Enter Kiyoshi Mitarai, the renowned sleuth. Surely if anyone can crack these cryptic murders it is him. But you have all the clues too - can you solve the ...
Kaapse bibliotekaris
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
