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Not Quite the Classics
The improv star of Whose Line Is It Anyway? puts his “unique comic vision” to work on a range of literary classics (Toronto Star). Based on the improv game First Line, Last Line, actor and comedian Colin Mochrie puts his own spin on works of classic literature. Taking the first line and last line from classic books and poems, Colin recasts these familiar stories in his own trademark offbeat style. Join in the fun as a rainy day at home becomes a zombie-killing adventure in The Cat and My Dad . . . as well as riffs on everything from A Tale of Two Cities to a classic Sherlock Holmes novel, proving that no literary masterpiece is too big, or too small, for the improvisational comedy treatment. “Colin Mochrie is a comedic and creative force to be reckoned with. Therefore, this book is a literary force to be reckoned with. If you are too lazy for reckoning, just read this book and everything will work out nicely.” —Brad Sherwood “Colin Mochrie is devastatingly handsome, perilously smart, and smells like warm maple syrup. Step inside his hilarious and complex mind, and abandon all hope.” —Aisha Tyler
The Improv Comedy Musician
Learn musical improv from Laura Hall of "Whose Line Is It Anyway?" Are you a musician who performs with an improv comedy group? If so, this book is for you! You'll also greatly benefit if you are a music director, improv team leader, improv teacher or coach, improv actor or singer, or just a hardcore Whose Line fan. From the Foreword by Colin Mochrie: "On Whose Line, Laura supplies note-perfect music styles for Wayne Brady, Brad Sherwood, Chip Esten, Jeff Davis, et al, to shine on. But Laura's true genius is that she can make caterwaulers like me sound good and, more important, makes caterwaulers like me feel safe enough to try. "Laura Hall is a damn fine musician, period. There is no musica...
Catch Your Breath
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Eating Salad Drunk
“I’m huge on Twitter.” —An ancient proverb that means Lonely in real life. —JOEL KIM BOOSTER *Vulture's Best Comedy Books of 2022* Jokes and haikus have a common goal: to pack the greatest punch in the most succinct way possible. In Eating Salad Drunk, today's biggest names in comedy come together to do just that, with hilarious, poignant, and (sometimes) dirty haikus about living and coping in our modern "burnout age." Contributors include Jerry Seinfeld, Michael Ian Black, Aubrey Plaza, Margaret Cho, Maria Bamford, Ray Romano, Aparna Nancherla, Ziwe Fumudoh, Chris Gethard, Sasheer Zamata, Colin Mochrie, Zach Woods, and many more! Curated by Gabe Henry, author and manager of the p...
25 Years of 22 Minutes
“A great read for anyone who is a fan of the long-running Canadian comedy series—or just TV comedy in general.” —Brioux.tv The final chaotic season of Codco had just wrapped when Mary Walsh sat down at a Toronto bistro with George Anthony, then creative head of CBC TV’s arts programming. She’d been thinking about a news-based comedy show—did he think that would fly? He did. That was the early ‘90s. Twenty-five seasons later, hundreds of thousands of Canadians continue to tune in weekly to This Hour Has 22 Minutes for its unashamedly Canadian, biting satirical take on politics and power. 25 Years of 22 Minutes takes readers backstage to hear first-hand accounts of the show’s...
Brainsprouting
"Wisdom from years of experience, tested and true methods, and super fun to read. Highly recommended!"Renowned leadership and success coaches Joel Hilchey and Brandon Love reveal their time-tested approach to coming up with innovative ideas, solving complex problems, and building more cohesive teams. Inside Brainsprouting you'll find a simple process to unleash your inherent creative powers and to help others do the same. Whether you're a student, a teacher, a professional, or a hobbyist, this book will show you how to become more creative.You'll learn:-How to unlock your hidden creative talents-A dozen simple, powerful tools to spark better ideas-Techniques to turn creative ideas into valuable business ventures-How subtle forms of judgment are blocking your creative flow, and how to open the floodgates-How to transform any space to maximize creative output-Facilitation techniques to maximize your team's creativityBecome fearlessly creative and you will create the life you want to live."A fresh approach to problem solving - Brainsprouting is a game changer!"
Hiding from Myself
Hiding From Myself is a powerful and intimate must-read for anyone that is interested in understanding the transgender experience through the lens of one woman's complicated rebirth into the person she was always meant to be.
Somewhere Under the Rainbow
Jayce Kennedy Price became our son in one bewildering, brilliant afternoon. I took a transgender teenager out to lunch to offer him friendship and mentoring, and by the time we cleared the dishes away he'd become my son and I'd become his mom. This is the story of the time since that day. It has been a time of transitions large and small as Jayce went through hormone treatment, surgery, and college, while my other kids made transitions of their own.
The Darkhouse
"A teenage girl living in a small island community in New Brunswick discovers that her father, an amateur scientist, has been conducting experiments on humans, and may be responsible for the death of the twin sister she never knew she had."--
The Human Touch
The Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other. Vulnerability is a main feature of both the book and of improvisational theatre, both part of the hurdles that improvisers face and a creative tool. Through a study of improvisation and vulnerability, the book teaches us both what makes improvisational theatre so human and opens the door to a reflection about how to use humanity and human emotions in performance. Most importantly, it delves into the cognitive and physiological processes at work in improvisation, a topic which is missing from most manuals and studies offered to students. This book is addressed to theatre students and provides both an important overview of the form’s history and a challenge to what is usually taught about improvisation.
