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Exporting 'Made In America' Democracy examines the various contradictory tensions that democracy-promotion produces in the context of an increasingly capitalist globalization of the world that has accelerated in the post-Cold War period and into the 21st century.
This book--which presents a course of lectures Cavell presented several times toward the end of his teaching career at Harvard--links masterpieces of moral philosophy and classic Hollywood comedies to fashion a new way of looking at our lives and learning to live with ourselves.
In their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism...
An autobiography in the form of a philosophical diary, Little Did I Know's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and...
This book combines theory with history to look into a dozen episodes of struggle over the concrete and situated terms of world ordering, and it finds reasons to think that the contemporary 'movement of movements' against neo-liberal globalization has deeper roots and a broader history than is usually recognized. Informed by case studies from the US, the UK, France, South Africa, Algeria, the Philippines and Jamaica, A History of World Order and Resistance examines how men and women are sometimes subjectified by world ordering, and how they sometimes make themselves true subjects of their own global history. The author, an expert on resistance to world ordering, situates the contemporary 'mov...
Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.
This book is an invitation to the life of philosophy in the United States, as Emerson once lived it and as Stanley Cavell now lives it--in all its topographical ambiguity. Cavell talks about his vocation in connection with what he calls voice--the tone of philosophy--and his right to take that tone, and to describe an anecdotal journey toward the discovery of his own voice.
The Polish crisis in the early 1980s provoked a great deal of reaction in the West. Not only governments, but social movements were also touched by the establishment of the Iindependent Trade Union Solidarnosc in the summer of 1980, the proclamation of martial law in December 1981, and Solidarnosc's underground activity in the subsequent years. In many countries, campaigns were set up in order to spread information, raise funds, and provide the Polish opposition with humanitarian relief and technical assistance. Labor movements especially stepped into the limelight. A number of Western European unions were concerned about the new international tension following the Soviet invasion of Afghani...
This work discusses the view that there is no thought, and thus no meaning, without language, and shows how this concurs with psychoanalytic theory and practice. It includes coverage of: the explanation of action; the concept of subjectivity; and the geneology of morals.
Seeking for philosophy the same spirit and assurance conveyed by artists like Fred Astaire, Cavell presents essays exploring the meaning of grace and gesture in film and on stage, in language and in life. Critical to the renaissance in American thought Cavell hopes to provoke is the recognition of the centrality of the “ordinary” to American life.