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The essays assembled in this new volume explore the fascination of the Middle Ages with the mystery of light, and its central role in the period's thought and creativity. Spanning medieval theology, literature, science and material culture, the topics covered include the history of light (and, inseparably, darkness) as a literary figure, from the Latin Bible to Geoffrey Chaucer; theoretical speculations on colour, sight and blindness, and their unexpected fertilization of fields such as poetic imagery; medieval preachers' evocations of light as much more than merely figuring the moral and religious, from St. Simeon in the ninth century to John Fisher in the early sixteenth; indeed the belief that light possessed not only reality but physical materality, as manifested in artefacts such as the Gloucester Candlestick. On Light thereby reveals not only the importance of this phenomenon to diverse aspects of medieval culture, but profound and unremarked ways in which it helped to bind these into a whole.
Party Walls: provides an authoritative explanation of the law regulating the building, maintenance and repair of party walls, and sets out the process for settling disputes between parties. This new edition has been fully updated and considerably expanded to incorporate the many changes in practice and procedure since implementation of the Act, including: - A wealth of new case-law under the Act such as Observatory Hill Ltd v Lantel Investments SA, Prudential Insurance Co v Waterloo Real Estate, Daniells v Mendonia and Frances Holland School v Wassef. - The impact of the CPR and the Human Rights Act - Consideration of areas of uncertainty and difficulty which have arisen in practice, together with suggestions for how they may be resolved as well as a new chapter examining the proposals for reform.
This book is a compilation of original poems (almost all in English) with their translations by Colin Sydenham into diverse Latin metres. In presenting the Latin translations, it challenges the reader to identify the original poems and appreciate the art of adapting the original to the Latin forms. "No school in Britain still teaches verse composition as part of its core curriculum, nor is it a compulsory exercise at any university in the world. But pockets of enthusiasts keenly keep the flame burning at Oxford, Cambridge, far-flung schools, and wide across the internet community. "To all younger generations of versifiers, it will be a splendid spur to see these recently hewn verses united a...
Construction Insurance and UK Construction Contracts has long been the premier text for legal professionals looking for a combined analysis of construction contracts and their relation to insurance law. In a new and updated third edition, this book continues to provide in-depth commentary and pragmatic advice on all the most important regulations and policies surrounding contracts and insurance in the construction industry. Including brand new chapters on reinsurance and energy products, this book covers subjects such as: Minor, intermediate and major project construction contracts Classes of insurance contract The role of insurance brokers Risks in construction and legal liability Professio...
Is chess an art, a science or a sport? This is one of the most commonly asked questions about chess, but it admits of no easy answer. Most chess activities involve a combination of all three components, but different areas of chess emphasize different aspects. The sporting element predominates in the over-theboard game, while the protracted battles of postal chess stress the scientific side. The third element, the artistic component, finds its best expression in the field of chess composition. Over the- board players often ignore composed positions, or if they do pay attention, they concentrate on endgame compositions of direct relevance to practical play. In turning their backs on the world of chess problems, they are missing out on a great deal of enjoyment. It is true that studying chess problems will never improve anybody's play, but not everything has to have a strictly functional justification. The many fascinating examples which follow can give a great deal of pleasure to anyone interested in seeing the chess pieces stretched to their limits. This book will conduct the reader on a detailed tour around one part of the world of chess composition.
In works of Western literature ranging from Homer’s Odyssey to Albee’s Who’s Afraid of Virginia Woolf? the giving and taking of hospitality is sometimes pleasurable, but more often perilous. Heffernan traces this leitmotiv through the history of our greatest writings, including Christ’s Last Supper, Macbeth’s murder of his royal guest, and Camus’s short story on French colonialism in Arab Algeria. By means of such examples and many more, this book considers what literary hosts, hostesses, and guests do to as well as for each other. In doing so, it shows how often treachery rends the fabric of trust that hospitality weaves.
From conception onwards, Stuart offspring were presented to their subjects through texts, images and public celebrations. Audiences were exhorted to share in their development, establishing affective bonds with the royal family and its latest additions. Yet inviting the public into Stuart domestic affairs exposed them to intense scrutiny and private interactions were endowed with public dimensions. Images of royal children had the potential both to support and to undermine dynastic messages. In Imaging Stuart Family Politics, Catriona Murray explores the promotion of Stuart familial propaganda through the figure of the royal child. Bringing together royal ritual, court portraiture and popular prints, she offers a distinctive perspective on this crucial dimension of seventeenth-century political culture, exploring the fashioning and dismantling of reproductive imagery, as well as the vital role of visual display within these dialogues. This wide-ranging study will appeal to scholars of Stuart cultural, political and social history.
This monograph explores transatlantic literary culture by tracing the proliferation of ‘new media,’ such as the anthology, the literary history and the magazine, in the period between 1750 and 1850. The fast-paced media landscape out of which these publishing genres developed produced the need of a ‘memory of literature’ and a concomitant rhetoric of remembering strikingly similar to what today is called a cultural memory debate. Thus, rather than depicting the emergence of an American national literature, The Rise of New Media(1750–1850) combines impulses from media history, the history of print, the sociology of literature and canon theory to uncover nascent forms and genres of literary self-reflectivity and early stirrings of a canon debate in the Atlantic World.