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The text of this volume comprises the Chichele Lectures of 1986 on the architectural history of All Souls College. Beginning with a discussion of the college's foundation by Archbishop Chichele in 1438 and the construction of the original medieval buildings, Howard Colvin lays considerablestress on the model afforded by the earlier foundation of New College. He goes on to consider the college's neo-gothic expansion in the early eighteenth century, and the great building work of Nicholas Hawksmoor. Finally, John Simmons discusses the changes that occurred in the eighteenth andnineteenth centuries, and looks in particular at the alterations to the chapel made by Gilbert Scott in the 1870s. This first architectural history of one of Oxford's most famous colleges is lavishly illustrated throughout, and contains several appendices.
This book contains a history of the early buildings of Trinity College, from the Elizabethan Quadrangle up to the residential buildings of the early 18th century. Among all those red-brick buildings only the Rubrics remains, albeit much altered, to suggest what Trinity College looked like before the 1750s, when replacement of the early buildings began. Why and when were new buildings added to the College? How were they funded? Who designed them? Where were materials sourced? What can be said about the architecture of the buildings, all of which, apart from the Rubrics, were pulled down in the eighteenth and nineteenth centuries? Who managed their construction on the College's behalf, and who carried out the building work? How were essential services provided? The book answers all of these questions, and en route it explores an almost forgotten event, the disastrous fire of February 1726/7, in which at least one house in Library Square was destroyed and several more were damaged. The book also explores the community of residents of the early buildings up to the end of the 19th century. The book ends with a personal memoir of the Rubrics in recent times.
This book is a detailed historical study of the post-war architecture of St John's College, Oxford. In the sixty years since 1945 St John's has been one of the major patrons of modern architecture in Oxford and Cambridge, commissioning a series of innovative and successful buildings from a sequence of leading architectural practices (Architects Co-Partnership, Arup Associates, MacCormac Jamieson Pritchard). The college's modern buildings epitomise changing architectural ideas and practice over the last sixty years, from the neo-Georgianism of the immediate post-war years through the confident modernism of the late 1950s to the 1970s, to the post-modernism of more recent years. Geoffrey Tyack discusses these buildings in detail, with the help of copious illustrations, placing each building within the context of its architect's oeuvre and relating it to the changing character of Oxford University. It is thus intended to be a contribution to the understanding both of modern collegiate architecture and of reent English architectural in general. Publication will coincide with the 450th anniversary of the foundation of St John's College.
Some of the most exciting architecture in the world can be found on university campuses. In Europe, America and the Far East, vice chancellors and their architects have, over several centuries, produced an extraordinary range of innovative buildings. This book has been written to highlight the importance of university architecture. It is intended as a guide to designers, to those who manage the estate we call the campus, and as an inspiration to students and academic staff. With nearly 40 per cent of school leavers attending university, the campus can influence the outlook of tomorrow's decision makers to the benefit of architecture and society at large.
The campus has a deep-rooted prestige as a place of teaching, learning and nurturing. Conjuring images of cloistered quadrangles, of sunny lawns, of wood-panelled libraries, it is a word viscerally charged with centuries of scholarly tradition. And yet it is also a place of cutting-edge science, vibrancy and energy. It is this dual nature, this concurrent adherence to tradition and innovation, which renders the physical environment of the university such a redolent, enduring and dynamic realm. However, it also means that the twenty-first-century campus is a highly challenging and exacting landscape to design and manage successfully. Today, the scale of the pressures and the rate of change fa...
"Vickery's book, which includes floor plans and eight pages in color, examines the intimate relationship between a Victorian institution intended solely for women and the architectural theories of the period. In doing so, she sheds light on the role of the founders, such as Emily Davies at Girton, their goals for their colleges and the pressure which a reluctant and skeptical society placed upon them. Reformers in women's education were sometimes radical feminists, but more often the women and men who were involved were modest in their approach, arguing for little change in the status of women and veiling their ambitions for women's progress under a restrained and traditional rhetoric. This ...