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Sweaters
The main focus of the How are they Made? Series is turning raw materials into products through mass or small-scale production.
Hell at the Gates:
On 28 November 2010, the Irish government infamously agreed to a bailout from the Troika to save Ireland’s failing economy. This decision had huge and long-lasting social implications for Ireland and her people, and led to the annihilation of Fianna Fáil and its allies in the 2011 general election. In 'Hell at the Gates', Brian Cowen, the late Brian Lenihan, Eamon Ryan, Micheál Martin, Mary Harney and many others, recount for the first time in their own words the inside story behind the actions of the most hated government in living memory. The result is a deeply honest, intensely personal and revelation-strewn account of their experiences in the white heat of an economic meltdown. It re...
Perspectives on Competition in Transportation
Issues of competition seem to have been neglected for a long time in the transportation sector. But the provision of transport services at competitive prices and quantities may have an important impact on economic development, both from a regional and a global perspective. This volume addresses such issues of competition in transportation. Part I deals with the air transport sector, part II is concerned with the road transport sector, part III takes a look at transportation costs and, in the final part, some visions of competition in transportation are discussed.
Handmaids, Tributes, and Carers
This book is a multi-disciplinary anthology about the role of female figures in dystopian narratives. Such female figures, from all stages of life, are often critical to these narratives, positing females as particularly powerful heroines or catalysts to action, especially in young adult manifestations, such as The Hunger Games and Divergent trilogies, among others. This book explores the totality of these rich and varied roles, from fiction to television to film. This collection will capture the interest of scholars and students in popular culture, literature, gender studies, and media, as well as fan readers and followers of genre fiction, television, and film.
Understanding Ireland's Economic Crisis
Ireland has experienced the largest destruction of wealth of any developed country during the 2007–10 economic crisis. Understanding Ireland's Economic Crisis brings together policy makers, union representatives and internationally recognised academics to examine Ireland's crisis from many different angles. The objective of this book is to provide an understanding of what caused the crisis and to develop a set of key recommendations to guide Ireland's policy makers into a post-crisis era. Understanding Ireland's Economic Crisis is written for a general audience, and should be of great interest to policy makers, researchers and students. Contributors: Stephen Kinsella (UL), Anthony Leddin (UL), Colm McCarthy (UCD), Brendan Walsh (UCD), Michael O'Sullivan (Credit Suisse), Ronan Lyons (University of Oxford, Daft.ie), Eoin Gahan (Forfás), Morgan Kelly (UCD), Michael Taft (UNITE), Edward Nell (New School for Social Research), K.P.V. O'Sullivan (London School of Economics) and K. Vela Velupillai (University of Trento).
Marxist Perspectives on Irish Society
This book involves a conscious attempt to bridge progressive academic scholarship with activist groups and communities in Ireland and beyond. Taking Howard Zinn’s maxim “You can’t be neutral on a moving train” seriously, the book attempts to examine Irish society, as much as it is possible to do so, from the point of view of those who are actively fighting against ongoing attacks on the pay, conditions, rights and protections that were won by working people through the decades of the twentieth century. This effort comes at a time when the predatory nature of the capitalist system is being revealed on a daily basis, and its consequences exacerbated simultaneously across the globe. The...
The Political Economy and Media Coverage of the European Economic Crisis
The European economic crisis has been ongoing since 2008 and while austerity has spread over the continent, it has failed to revive economies. The media have played an important ideological role in presenting the policies of economic and political elites in a favourable light, even if the latter’s aim has been to shift the burden of adjustment onto citizens. This book explains how and why, using a critical political economic perspective and focusing on the case of Ireland. Throughout, Ireland is compared with contemporary and historical examples to contextualise the arguments made. The book covers the housing bubble that led to the crash, the rescue of financial institutions by the state, the role of the European institutions and the International Monetary Fund, austerity, and the possibility of leaving the eurozone for Europe’s peripheral countries. Through a systematic analysis of Ireland’s main newspapers, it is argued that the media reflect elite views and interests and downplay alternative policies that could lead to more progressive responses to the crisis.
Issues in Comparative Politics
Comparative politics students will benefit from CQ Researcher's award-winning, non-partisan reporting that looks at today’s most important problems, ranging from democratization and regime change to policies on immigration, welfare, and religion. Each essay identifies key players, explores what’s at stake, and shows how past and current developments impact the future.
Banking Systems in the Crisis
Based on detailed comparative case studies, this new volume from a leading international group of authors reveals fundamental differences in the economic and political ideology underlying the the six Anglo-Saxon 'liberal market economies' (LMEs), and how this determined their relative resilience in the face of the global financial crisis.
The Oxford Handbook of New Science Fiction Cinemas
"For the contemporary film audience, science fiction has become a key locus for displaying-and imaginatively addressing-its most pressing concerns. Those concerns increasingly surface not just as displaced subjects, injected into conventional sf narratives, but as inflections in the very nature of the genre. We might describe these issues that bulk so large in our everyday world as angling into the world of science and technology, becoming a kind of slant presence in the genre, and in the process altering the thrust of our sf films and other screen media, resulting in what seems like a proliferation of sub-genre labels that mark off a substantially "new" group of sf cinemas. These cinemas ch...
