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Welcome to the enchanting world of "Old English Colour Prints" by Malcolm C. Salaman, where artistry meets history in vivid hues. Step into a journey through time as Salaman's meticulous curation brings to life the beauty and craftsmanship of centuries-old prints. Explore the exquisite collection of Old English Colour Prints meticulously compiled by Salaman, showcasing the rich tapestry of British artistry from bygone eras. From pastoral landscapes to bustling city scenes, each print is a testament to the mastery of technique and the timeless appeal of artistic expression. Salaman's insightful commentary illuminates the cultural and artistic significance of each print, offering readers a dee...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
Systematically arranged charts of colors displaying the mixing possibilities of threeand four-color printing in uniform gradations are accompanied by a discussion of the fundamentals of color theory.