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"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times
Winner of the Herbert H. Lehman Prize for Distinguished Scholarship from the New York Academy of History. In Liberty's Chain, David N. Gellman shows how the Jay family, abolitionists and slaveholders alike, embodied the contradictions of the revolutionary age. The Jays of New York were a preeminent founding family. John Jay, diplomat, Supreme Court justice, and coauthor of the Federalist Papers, and his children and grandchildren helped chart the course of the Early American Republic. Liberty's Chain forges a new path for thinking about slavery and the nation's founding. John Jay served as the inaugural president of a pioneering antislavery society. His descendants, especially his son Willia...
A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994. Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public to new talents, fashions, and ideas. He was a legendary party host as well, counting Marlene Dietrich, Maria Call...
The author focuses on the experience of Henrietta Wood, a freed slave who was sold back into slavery, eventually freed again, and who then sued the man who had sold her back into bondage-and won.
“These stories . . . offer a peephole into a distinct fictional world . . . they attest to the author’s gift as an observer and archivist of emotion.” —The New York Times The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis’s trademarks—dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is “a magician of self-consciousness.” Praise for Lydia Davis “Davis is one of the most precise and economical writers we have.” —Dave Eggers, McSweeney’s “An American virtuoso of the short story form.” —Salon “The best prose stylist in America.” —Rick Moody “[Davis has] a capacity to make language unleash entire states of existence.” —Siddhartha Deb, The New York Times