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The Rough Guide to Comedy Movies
This guide discusses laughter in the cinema, from "Airplane!" to "Withnail and I" and from John Belushi to Billy Wilder.
British Comedy Cinema
This work explores the history of British comedy from silent slapstick and satire to contemporary romantic comedy. The essays include case studies on prominent personalities, and exploration of production cycles and studio output. Films discussed in the work include Sing As We Go, The Ladykillers, Trouble in Stone, The Carry Ons, Till Death Us Do Part, Monty Python's Life of Brian, Notting Hill, and Sex Lives of the Potato Men.
Comedy Films 1894–1954
Originally published in 1954, this was the first factual history of comedy films and the men and women who had since 1894 kept us laughing in the cinema. It traces the beginning of comic motion pictures and the pioneer work of Paul, Gaumont, Hepworth, Pathe and Zecca. Then comes the picture palace craze and the success of the early Italian and French comedies and trick films. The work of Al Christie and Mack Sennett in America, and the rise of American films, is fully described, as knockabout gives way to slapstick, and salaries and box-office receipts soar. Now come Chaplin, Harold Lloyd and all the other bright figures of the Roaring Twenties, with favourites like Buster Keaton and Will Ro...
Variety
Reviews of the classic film.
Comedy Films
None
Military Comedy Films
Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.
Writing the Comedy Movie
It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out – in an entertainingly readable style – the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre.
When the World Laughs
When the World Laughs is a book about the intersection of humor, history, and culture. It explores how film comedy, one of the world's most popular movie genres, reflects the values and beliefs of those who enjoy its many forms, its most enduring characters and stories, its most entertaining routines and funniest jokes. What people laugh at in Europe, Africa, or the Far East reveals important truths about their differences and common bonds. By investigating their traditions of humor, by paying close attention to what kinds of comedy cross national boundaries or what gets lost in translation, this study leads us to a deeper understanding of each other and ourselves. Section One begins with a ...
Comedy Films
Comedy Films: A Teacher's Guide offers the ideal introduction for teachers of GCSE and AS/A level Film and Media Studies of a style of film-making that offers unique challenges when subject to study in the classroom. In a lengthy introduction, Brian Dunbar identifies generic conventions common to comedy (is it a 'genre' as such?) and goes on to consider them in relation to a series of detailed case studies. The key concepts of Media Studies are addressed through analysis of individual films using a historical narrative structure - from the silent comedy film (Buster Keaton's The General), through Classical Hollywood 'screwball comedy' (Bringing Up Baby), British comedy films (Ealing Studios and The Ladykillers), foreign comedy (Jacques Tati) and contemporary independent American comedy (Rushmore). The author also examines Some Like it Hot and considers its status as 'the funniest movie ever made'."
Currents of Comedy on the American Screen
This book analyzes the evolution of film and television comedy from the 1930s through the present, defining five distinct periods and discussing the dominant comedic trends of each. Chapters cover the period spanning 1934 to 1942, defined by screwball comedies that offered distraction from the Great Depression; the suspense comedy, reflecting America's darker worldview during World War II; the 1950s battle-of-the-sexes comedy; the shift from the physical, exaggerated comedy of the 1950s to more realistic plotlines; and the new suspense comedy of the 1970s and 1980s, focusing on the popular "dumb cop" or "dumb spy" series along with modern remakes including 2006's The Pink Panther and 2008's Get Smart.
