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In 'Great Musical Composers: German, French, and Italian', George T. Ferris provides a comprehensive overview of the most influential composers from these three major European musical traditions. The book delves into the historical context and musical styles of each composer, offering detailed analyses of their most notable works. Ferris's writing is scholarly and informative, making this book an essential resource for music enthusiasts and students alike. The discussion of each composer's unique contributions to the development of music in their respective countries is both enlightening and engaging. Overall, the book serves as a valuable exploration of the rich musical heritage of Germany, France, and Italy. George T. Ferris, a renowned music historian and professor, brings his expertise and passion for music to this meticulously researched work. His deep understanding of the subject matter and engaging writing style make 'Great Musical Composers' a must-read for anyone interested in classical music history. I highly recommend this book to readers looking to deepen their knowledge of the great composers of Europe.
"The Great German Composers" by George T. Ferris is a comprehensive masterpiece in classical music history books, offering insightful biographies of prominent German composers. Through meticulous research and detailed analysis, Ferris provides a captivating exploration of the lives and works of musical geniuses such as Johann Sebastian Bach, Ludwig van Beethoven, and Richard Wagner. As a guide to great German composers, this book delves into their biographies, offering readers a deep understanding of their life stories and musical influences. Ferris's exploration of musical masterpieces and analysis of their significance enriches readers' appreciation of classical music, making it a valuable...
From the intro: "The sketches of composers contained in this volume may seem arbitrary in the space allotted to them. The special attention given to certain names has been prompted as much by their association with great art-epochs as by the consideration of their absolute rank as composers. The introduction of Chopin, born a Pole, and for a large part of his life a resident of France, among the German composers, may require an explanatory word. Chopin's whole early training was in the German school, and he may be looked on as one of the founders of the latest school of pianoforte composition, whose highest development is in contemporary Germany. He represents German music by his affinities ...
A fascinating book about various German classical music composers, including Beethoven, Mozart, Handel, Bach, and Wagner.
In "The Great German Composers," George T. Ferris presents a meticulous examination of the eminent figures in German music, weaving together biographical sketches and musical analysis. This book is marked by Ferris's engaging prose, which eloquently captures the essence of each composer's contribution to the evolution of music. The narrative not only situates these composers in their historical context'Äîfrom Bach to Brahms'Äîbut also delves into the broader cultural and artistic movements of their time, making it a compelling read for both music enthusiasts and scholars alike. Ferris's adept synthesis of detailed research and vivid storytelling ensures that each chapter resonates with t...
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div