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Though rarely included in traditional music history, women have a remarkable tradition as composers of Western music. This book brings together musical and biographical material on twenty-five women, from the eleventh through the twentieth centuries. Each chapter focuses on one composer, providing an introduction to her life, an analysis of her music, a checklist of her works, and a bibliography. Extensive appendices include a historical outline showing female composers in relation to their more famous male contemporaries by period and genre, and suggestions for further readings and recordings.
Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique. This book features interviews with leading and upcoming British composers who use the same raw materials but produce classical music that takes very different forms. Uniquely, Andrew Palmer approaches the sometimes baffling worldof contemporary music from the point of view of the inquisitive, music-loving amateur rather than the professional critic or musicologist. Readers can eavesdrop on conversations in which composers are asked a number of questionsabout their professional lives and practices, with the emphasis on the ...
With increasing frequency, composers of instrumental music claim to be specifically inspired by a poem or painting, a drama or sculpture, transforming the essence of this art work's features and message into their own medium, the musical language. How does the knowledge of such a transformation from one medium into the other inform our understanding of the musical work? In this round-breaking study, Siglind Bruhn makes a case for a musical genre hitherto hidden under the term program music. She defines her subject matter in relation to the term, ekphrasis, which is used by literary scholars for poems responding to works of visual art. Bruhn develops a clear methodology and a precise set of criteria, which she employs to situate musical ekphrasis within the aesthetics discourse.
The companion repertoire series to Meet the Great Composers features familiar piano compositions at the late-elementary to early-intermediate level. Contains original pieces and arrangements of beloved classics by the composers featured in Book 1.
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
These shorter writings, edited by Slonimskyâs daughter, are an excellent introduction to the classical repertoire. The chapters contain both biographical sketches and each composerâs most important works.
This comprehensive anthology of writings by composers on the art of music presents ninety composers from all Western countries, drawing on a variety of sources. Letters, diaries, essays, reviews, books, and, in some cases, recorded conversations have been consulted. All aspects of musical activity are covered. The historical forms of composition--opera, church music, symphonic, and chamber music--appear in many different lights and from many different approaches. This book is addressed to the general reader who is interested in music, and every selection is preceded by a brief commentary by the editor.
From the romantic agonies of Hector Berlioz to the lonely labours of Anton Bruckner, and from the cosmopolitan triumphs of George Frideric Handel to the politically fraught career of Dmitri Shostakovich in the Soviet Union, the lives of the great composers are as varied and multifaceted as the works of creative genius they produced. Writing with verve and passion, broadcaster and writer Jeremy Nicholas presents, in chronological order, elegant, informative and often affectionate biographical profiles of 50 of the greatest composers in the history of classical music. The biographies not only describe the life, artistic development and creative output of each composer, but also set the composers and their works in a broader historical and cultural context. Furthermore, shortlists of must-hear masterpieces for each composer give the reader all the information they need to begin to build a brilliant classical music collection.