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Esta obra reúne textos que discutem criticamente aspectos teórico-metodológicos dos paradigmas hegemônicos na produção do conhecimento em Educação, considerando percursos de cunho eminentemente epistemológico, bem como interfaces da área com aspectos da ética, do currículo, das discussões em torno das infâncias, dos gêneros e dos povos e saberes tradicionais.
A produção e difusão do conhecimento proporcionado pelo Agreste Pernambucano, por meio de seu curso de pós-graduação em Educação põe em xeque a importância de uma ciência qualitativa, democrática, participativa, pós-colonial, multicultural e diversa, que confronta com um ideário de ciência positivista, androcêntrica, patriarcal, sexista, LGBTfóbica, racista, classista, de cunho neoliberal, de razão indolente e totalitária.
É com alegria que atendo o generoso convite de Luiz Carlos para escrever o prefácio deste livro. Como seu orientador no curso de mestrado do Programa de Pós-Graduação em Educação Contemporânea da UFPE, pude acompanhar sua trajetória acadêmica nos últimos três anos e testemunhar seu crescimento como pesquisador, revelando-se a cada dia um investigador competente e comprometido com o tema pesquisado. Por esse motivo, posso assegurar que as informações contidas nesta publicação são resultantes de estudos orientados por critérios acadêmicos e validados pelo programa de pós-graduação ao qual o autor esteve vinculado durante o período de realização da sua pesquisa, cujos r...
This book is an interdisciplinary exploration of the notion of childhood and its place in philosophical education. Childhood is not seen as a developmental state that needs to be overcome, but rather an existential state that constitutes a significant part of being human as well as the (forgotten) dimension of the world itself.
A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil's most famous artists. When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.
This book explores the idea of a childlike education and offers critical tools to question traditional forms of education, and alternative ways to understand and practice the relationship between education and childhood. Engaging with the work of Michel Foucault, Jacques Rancière, Giorgio Agamben and Simón Rodríguez, it contributes to the development of a philosophical framework for the pedagogical idea at the core of the book, that of a childlike education. Divided into two parts, the book introduces innovative ideas through philosophical argument and discussion, challenging existing understandings of what it means to teach or to form a child, and putting into question the idea of educat...
This book invites readers to both reassess and reconceptualize definitions of childhood and pedagogy by imagining the possibilities - past, present, and future - provided by the aesthetic turn to science fiction. It explores constructions of children, childhood, and pedagogy through the multiple lenses of science fiction as a method of inquiry, and discusses what counts as science fiction and why science fiction counts. The book examines the notion of relationships in a variety of genres and stories; probes affect in the convergence of childhood and science fiction; and focuses on questions of pedagogy and the ways that science fiction can reflect the status quo of schooling theory, practice, and policy as well as offer alternative educative possibilities. Additionally, the volume explores connections between children and childhood studies, pedagogy and posthumanism. The various contributors use science fiction as the frame of reference through which conceptual links between inquiry and narrative, grounded in theories of media studies, can be developed.
This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.