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This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
One of the few book-length poetry collections from São Tomé to appear in English, Lima's poetry is grounded in place and history of the region. A career-spanning collection from São Tomean master Conceição Lima, No Gods Live Here summons the intricacies of her personal history of the landscape with the complicated lineage of the region. Lima houses the cruelties of the country's past alongside childhood memories, flora, and fauna. Through vivid imagery, Lima's deep evocations of São Tomé extend from popular Santomean music to imagery of fishermen on the beach, while ever-aware of the subjective meeting of memory, time, and place. Through poetry, Lima brings past and present together to resurrect hope in human creation and the possibility of metamorphosis.
Situates the cultures of Portuguese-speaking Africa within the postcolonial, global era.
In 1975, after much resistance, Portugal became the last colonial power to relinquish its colonies on the African continent. The tardiness of Portuguese decolonization in Africa (Cabo Verde, Angola, Mozambique, Guinea Bissau, São Tomé e Príncipe) raises critical questions for the emergence of national literary and cultural production in the wake of national independence. Bringing together the works of poets, short story writers, and journalists, this book charts the emergence and evolution of the national literatures of Portugal’s former African colonies, from 1975 to the present. The aim of this book is to examine the ways in which writers contended with the process of decolonization, forging national, transnational, and diasporic identities through literature while grappling with the legacies and continuities of racial power structures, colonial systems of representation, and the struggles for political sovereignty and social justice. This book will be the first of its kind in English to include canonical, emerging, and previously untranslated authors of poetry and short-form fiction to a new public.
Anticolonial Form: Literary Journals at the End of Empire addresses the relationship between culture and politics in two journals published in Europe by African writers: Présence Africaine, launched in Paris in 1947, and Mensagem, published between 1948 and 1964 in Lisbon. Grounded in extensive archival work, the book argues for a comparative and transnational approach to postcolonial literary studies, for the significance of the literary journal as a key form in the development of African writing in French, Portuguese, and English, and for a historically and geographically contingent understanding of the relationships between literature, culture, and politics. This book takes up the idea o...
A collection of poetry from acclaimed yet underrepresented Kurdish poet Farhad Pirbal. Like that of his contemporary Abdulla Pashew, Farhad Pirbal's poetry is a chronicle of exile and displacement, longing and not belonging. The poetry is in turns wistful and disoriented,reflecting his role as a dissident and persecuted prisoner. "Poète maudit" of Kurdistan, Pirbal is known as well for his highly publicized antics as for his prolific literary output. Pirbal, born in 1961, “may be the greatest innovator of Kurdish literature in the twentieth century, in both poetry and prose” (Shook, Poetry Foundation).
First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.
Get ready to take a thrilling journey through the lives of some of the most fascinating people in the world! "Famous People Around The World" is an engrossing read that provides an in-depth look at the lives of various famous personalities, from artists and scientists to musicians and politicians. This book covers all aspects of these people's lives, starting from their early years, upbringing, education, and pivotal experiences that shaped their lives. It explores their fascinating careers, achievements, turning points, and contributions to their respective fields. But that's not all - this book delves deeper into the personal lives of these famous individuals, including their relationships...
Africa is usually depicted in Western media as a continent plagued by continuous wars, civil conflicts, disease, and human rights violations; however, an analysis of the region’s cultural output reveals the depth and strength of the character of the African people that has endured the burden of colonialism. Undoubtedly, much of the scholarship on African literature focuses on countries colonized by the British such as South Africa and Nigeria; however, the African nations colonized by Spain and Portugal have also made major literary contributions. This volume examines the literature and cinema of the African nations colonized by Spain and Portugal (Equatorial Guinea, Guinea-Bissau, Cabo Verde, Angola, Mozambique, and São Tomé and Príncipe) to demonstrate the complexity and heterogeneity of these countries in their attempts to establish a post-colonial identity. This volume is intended for undergraduate students, graduate students, and researchers seeking to study Hispanic and Luso-African literature and film, and so better understand cultural production in previously underrepresented nations of Africa.
Updated throughout, this remains the only standalone guide to Sao Tomé and Principe.