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Piano Music for One Hand
  • Language: en
  • Pages: 158

Piano Music for One Hand

"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96 ". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier "Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music Teacher A descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.

A-E
  • Language: en
  • Pages: 1548

A-E

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Library of Congress Subject Headings
  • Language: en
  • Pages: 1698
P-Z
  • Language: en
  • Pages: 1644

P-Z

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Library of Congress Subject Headings
  • Language: en
Library of Congress Subject Headings: P-Z
  • Language: en
  • Pages: 1546

Library of Congress Subject Headings: P-Z

  • Type: Book
  • -
  • Published: 1989
  • -
  • Publisher: Unknown

None

Library of Congress Subject Headings
  • Language: en
  • Pages: 1314

Library of Congress Subject Headings

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Library of Congress Subject Headings: F-O
  • Language: en
  • Pages: 1452
Music, Libraries, and the Academy
  • Language: en
  • Pages: 279

Music, Libraries, and the Academy

This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.