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James H. Cone and Black Liberation Theology
Since Cone's Black Theology and Black Power was first published in 1969, he has been recognized as one of the most creative contemporary black theologians. Roundly criticized by white theologians, the book and Cone's subsequent writings nevertheless gave voice and viability to the developing black theological movement of the late 1960s. Despite his influence on the African American religious community, scholars have written very little about his works, in part because of the sharp rhetoric and polemics of his first two books. Discussed here are some of his major writings, from his first essay, Christianity and Black Power (1968), through the major work Martin & Malcolm & America (1991). The systematic development of his themes (social and economic analysis, black sexism, relations between black, feminist, and so-called third-world theologies, etc.) is fully explained.
The Cross and the Lynching Tree
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming t...
Black Theology and Black Power
"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."
Speaking the Truth
"Black theology and its relationship to other Christian theologies (especially liberation theology) and secular ideologies is addressed in this collection of essays first published in 1986"--
God of the Oppressed
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Martin & Malcolm & America
Reexamines the ideology of the two most prominent leaders of the civil rights movement of the 1960s
The Spirituals and the Blues
"How two forms of song helped sustain slaves and their children in the midst of tribulation. With a new introduction by Cheryl Townsend Gilkes"--
Said I Wasn't Gonna Tell Nobody
This autobiographical work is truly the capstone to the career of the man widely regarded as the "Father of Black Theology." Dr. Cone, a distinguished professor at Union Theological Seminary, died April 27, 2018. During the 1960s and O70s he argued for racial justice and an interpretation of the Christian Gospel that elevated the voices of the oppressed.ssed.
My Soul Looks Back
"What is the relationship," James Cone asks, "between my training as a theologian and the black struggle for freedom? For what reason has God allowed a poor black boy from Bearden to become a professional systematic theologian? As I struggled with these questions...I could not escape the overwhelming conviction that God's spirit was calling me to do what I could for the enhancement of justice in the world, especially on behalf of my people. 'My Soul Looks Back' chronicles the author's grappling with these questions, as well as his formulation of an answer--an answer that would lead to the development of a black theology of liberation. Firmly rooted in the black church tradition, James Cone r...
A Black Theology of Liberation
With the publication of his two early works, Black Theology & Black Power (1969) and A Black Theology of Liberation (1970), James Cone emerged as one of the most creative and provocative theological voices in North America. These books, which offered a searing indictment of white theology and society, introduced a radical reappraisal of the Christian message for our time. Combining the visions of Malcolm X and Martin Luther King, Jr., Cone radically reappraised Christianity from the perspective of the oppressed black community in North America. Forty years later, his work retains its original power, enhanced now by reflections on the evolution of his own thinking and of black theology and on the needs of the present moment.
