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The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.
How has the Liturgy of the Roman rite developed and changed in history before and after the Council of Trent? What principles have determined the boundaries of legitimate liturgical reform over the centuries? What was the Liturgical Movement? Did Guéranger, Beauduin, Guardini, Parsch, Casel, Bugnini, Jungmann, Bouyer and the Movement's other leaders know and respect these principles? And what is to be said of the not insignificant liturgical reforms carried out by Saint Pius X, Popes Pius IX and Pius XII and Blessed John XXIII in the course of the twentieth century? In The Organic Development of the Liturgy, Dom Alcuin Reid examines these questions systematically, incisively and in depth, identifying both the content and context of the principle of "organic development"-a fundamental principle of liturgical reform of the Second Vatican Council's Constitution on the Sacred Liturgy Sacrosanctum Concilium-making a significant contribution to the understanding of the nature of the Liturgical Movement and to the ongoing re-assessment of the reforms enacted following the Council.
In the nineteenth century a new type of mystic emerged in Catholic Europe. While cases of stigmatisation had been reported since the thirteenth century, this era witnessed the development of the ‘stigmatic’: young women who attracted widespread interest thanks to the appearance of physical stigmata. To understand the popularity of these stigmatics we need to regard them as the ‘saints’ and religious ‘celebrities’ of their time. With their ‘miraculous’ bodies, they fit contemporary popular ideas (if not necessarily those of the Church) of what sanctity was. As knowledge about them spread via modern media and their fame became marketable, they developed into religious ‘celebrities’.
Scholars of religion have come a long way since William James famously made of religion a matter between man and his maker. For decades now, they have been attentive to the ways in which religion takes shape as the product of broad social forces, focusing on the dynamics of power and culture as heuristics for understanding religious phenomena and experience. What, however, might they be missing by moving too quickly from one interpretative extreme to the other—and what might we learn about religion by staying in the interstitial space between the individual in her solitude and society as a whole? Religious Intimacies, edited by Mary Dunn and Brenna Moore, brings together nine scholars of modern Christianity to probe this in-between space. In essays that range from treatments of Jesuit-indigenous relations in early modern Canada to the erotics of contemporary black theology, each contributor makes the case for the study of the presence and power of affective ties and relational dynamics between friends, lovers, and intimate others (even things) as vital to the understanding of religion.