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When Anton Kannemeyer and Conrad Botes founded their underground satirical comic magazine Bitterkomix in 1992, they put themselves at the forefront of the international expressionist comix movement. Their assault on mainstream Afrikaner culture has continued to be challenging, outrageous and controversial. This book is an essential chronicle, catalogue and visual cornucopia of the work of the Bitterkomix artists -- from Pub. info.
Social commentary and political satire are presented through critically acclaimed graphics and confrontational illustrations in this brilliant and outrageous collection. Marked by an all-encompassing irony, a destruction of cultural taboos, and a love of cutting edge graphic art, the collection is a testament to the contentious history of Bitterkomix and its attacks on the Afrikaner culture and language that have developed into biting criticisms on South African society itself.
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
An illustrated A-to-Z guide to the absurdities of life in the democratic South Africa, this informative account challenges the myth of the “rainbow nation” with acute humor and critique. Dissecting the issues, events, and personalities that confound the country through paintings, drawings, and prints, it examines South Africa’s racially-tense past and present through the use of political satire and underground comics.
Examines the political significance of rugby in South Africa's post-apartheid present
* A fascinating look inside the minds of 42 creative masterminds, such as Stefan Sagmeister, George Lois, Morag Myerscough and Harry GruyaertIn Creatives for Creativity Steve Brouwers (creative director at SBS) interviews 42 makers - painters, photographers, graphic designers, conceptual artists, furniture designers, video artists, advertisers - from all around the world. He asks them about their childhood, their creative process, their inspirations and their most memorable achievements. The question that kicks off every interview - "What is creativity to you?" - results in an inspiring collection of personal conversations that provide an extraordinary insight into the artists' minds. Interv...
At head of title on cover: Joe Dog, Bitterkomix presents.
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provi...