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The World of Constable John Hennigan, Royal Irish Constabulary 1912 - 1922
In 1912 the average Irish Constable was a generally useful member of society, filling in numerous forms in the role of minor bureaucrat, and pursuing petty criminals. He had little to do with firearms. By 1922 he had become an outcast to many and a friend to few. Those who thought his treatment unjust were generally unwilling to take the risk of saying so. This is the story of how an average country policeman was caught up in the swirl of political movements which led to murderous violence. I look at the social and political contexts of historical events. Caught between the hammer of IRA violence and the anvil of government obduracy, the regular constables became sacrifices to political expediency. Using the police career of John Hennigan as a framework, this book follows public events in chronological order while bringing to mind the little details of everyday live.
John Constable
Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.
Peacock Pie
The perfect gift for children aged 8+, this stunning classic collection of poetry will delight a new generation of readers of the Faber Children's Classics list. Peacock Pie contains the finest of Walter de la Mare's poems for children, accompanied by exquisite original illustrations from Edward Ardizzone. This beautiful new edition of a classic anthology is an essential part of any child's bookshelf.
Three Years War
Expecting the outbreak of war in 1899, De Wet, then forty-five, prepared for the hardships to come. This is his story of the Boer War. Told from the Boer Perspective.These editions are facsimile prints and may contain some formatting errors or lack of graphical clarity. Some images may have been replaced or removed from original manuscript.
Constable & Toop
A darkly comic Dickensian ghost story from Blue Peter Award winner Gareth P. Jones: it's not the dead you'll need to worry about! Sam Toop lives in a funeral parlour, blessed (or cursed) with an unusual gift. While his father buries the dead, Sam is haunted by their constant demands for attention. Trouble is afoot on the 'other side' - there is a horrible disease that is mysteriously imprisoning ghosts into empty houses in the world of the living. And Sam is caught in the middle - will he be able to bring himself to help? Blue Peter Award winner Gareth P. Jones has woven a darkly comic story, a wonderfully funny adventure that roams the grimy streets of Victorian London.
Constable and Brighton
The first comprehensive guide to Constable's lesser-known but significant works inspired by the bustling Regency resort of Brighton. There was more to John Constable's art than the great rural landscapes for which he is famous. This lavishly illustrated book focuses on a largely overlooked element in his life - his close and artistically rewarding relationship with the boisterous resort of Brighton during the years 1824-28. He went in search of healthy air for his ailing wife Maria and the peace to help him clear a backlog of commissions, and became accustomed to painting on the beach or up by the windmills that dotted the Sussex Downs. More than 100 small, vivid studies from these walks exi...
Three Lives of Tomomi Ishikawa
Tomomi Ishikawa is dead but she has bequeathed a treasure hunt to her friend Ben Constable. The prizes are places to go and sit and things to taste and smell. There is also a series of notebooks detailing the murders she has committed.
Life Sentence
None
Constable on View
As Constable Nick of Aidensfield continues to patrol his varied beat in the picturesque countryside of the North Yorkshire Moors, he recalls the wisdom of his former training sergeant. Constables should see and be seen - when wearing the uniform they are on view all the time, and must act positively but with decorum. Surrounded by stunning long-distance views, Constable Nick takes advantage of the landscape to help him deal with the many incidents which arise in Aidensfield and its surrounding dales, including the theft of two tons of door knockers reported by Claude Jeremiah Greengrass!
