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Where I Was: A Memoir About Forgetting and Remembering is a rich, entertaining and compelling account of the life of an extraordinary woman. In a land of many cultures, many races, many religions; in a state where politics and public policies impinge, sometimes callously, on the daily lives of its denizens, Constance Singam is an individual marginalised many times over by her status as a woman, an Indian, a widow and a civil society activist. Through humorous and moving accounts, Constance captures in words the images of the people, places and events that are the source of her most powerful memories. These images are connected to key turning points in her personal journey, set against or within the context of important historical events. In this reissue of her 2013 memoir, Constance reflects on current advocacy movements and on the events that led to the AWARE saga that would shape the rest of her life.
"The Singapore woman: who is she? career woman, foreign domestic worker, expatriate? Who was she? Kampong girl, Nonya matriarch, colonial 'mem', mui tsai, Samsui woman? In this bumper of a book, a rich collection of essays, anecdotes, and selected works offers a multi-faceted view of what it means to be a woman in Singapore." -- BOOK JACKET.
Advocacy is a tricky pursuit in Singapore. Your motives can be questioned, your activities monitored, and your scope for action limited. Despite the constraints, civil society activists have persisted, finding ways to pursue their cause and to try to bring about the changes they believe important for Singapore. In 2013 a small group of civil society stalwarts set out to acknowledge the contributions of these unsung heroes. The Singapore Advocacy Awards was launched, a 3-year project that saw a total of 18 individuals and organisations being honoured. In this book, 37 activists, many of them winners of the Awards, write about their causes and discuss the strategies shaped and lessons learnt as they practise the delicate art of advocacy in Singapore. Reflecting the nature of civil society, there is a diversity of voices. Some give a more personal account, while others describe the institutional experience of advocacy work. Some essays are short and sweet, others long and detailed. They appear ordered alphabetically by the cause.
Claire Tham’s rebels tease us with the most provocative questions. Was Hitler the first rock star? Is college spirit a huge con-game? Are teachers fascist? Chris, the angry college punk; Lee, the deejay’s Americanised daughter; James, the pretender; Jeanne, the alienated wife; the Tiananmen refugee – these are some of the rebels who walk through the disturbingly familiar stories in Fascist Rock. Bitterly, yet eloquently, they voice our own hidden rebellion. The Series This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected. Authors in the series include: Catherine Lim, Claire Tham, Colin Cheong, Michael Chiang, Minfong Ho, Ovidia Yu and Philip Jeyaretnam.
In 26 conversations with 26 naysayers, this book is aimed at reflecting the spectrum of naysaying in Singapore's civil society. Each person is interviewed against the backdrop of his or her bookcase, putting front and centre a life of ideas and imagination. This is a book club for curious minds. "We need more naysayers... We need to create new formulas, which you can't until you attack and challenge every sacred cow." — Kishore Mahbubani, former dean of the Lee Kuan Yew School of Public Policy Featured: Tan Tarn How Constance Singam Tay Kheng Soon Yeoh Lam Keong Cherian George Claire Leow Remy Choo Zheng Xi Teo Soh Lung Thirunalan Sasitharan Jennifer Teo Dan Wong Chua Beng Huat Kirsten Han Filzah Sumartono Alex Au Martyn See June Chua William SW Lim M. Ravi Loo Zihan Vanessa Ho Mohamed Imran Mohamed Taib Seelan Palay Sonny Liew Margaret Thomas Thum Ping Tjin
Singapore underwent substantial changes during the 14-year tenure of the country's second Prime Minister, Goh Chok Tong (1990-2004). Includes 45 essays that review a range of issues from domestic politics and foreign policy to economic development, society, culture, the arts and media, and assess the legacy of Tong's premiership.
Making Kin: Ecofeminist Essays from Singapore contemplates and re-centres Singapore women in the overlapping discourses of family, home, ecology and nation. For the first time, this collection of ecofeminist essays focuses on the crafts, minds, bodies and subjectivities of a diverse group of women making kin with the human and non-human world as they navigate their lives. From ruminations on caregiving, to surreal interspecies encounters, to indigenous ways of knowing, these women writers chart a new path on the map of Singapore’s literary scene, writing urgently about gender, nature, climate change, reciprocity and other critical environmental issues. In a climate-changed world where vital connections are lost, Making Kin is an essential collection that blurs boundaries between the personal and the political. It is a revolutionary approach towards intersectional environmentalism.
Contains discussions on Singapore's public rhetoric about liberalization and its association with the development of a creative economy, focusing on questions surrounding conservatism, national identity and values, civil society activism, and the societal role of the younger generation.
Pin must not become like her mother, but nobody will tell her why. She seeks clues in Ma’s cooking when she’s not fighting other battles—being a bursary girl at an elite school and facing racial taunts from the bus uncle. Then her meddlesome grandmother moves in, installing a portrait of a watchful Sikh guru and a new set of house rules. Old secrets begin to surface but can Pin handle learning the truth?
From a future of electronic doas and AI psychotherapists, sense-activated communion with forests and a portal to realms undersea, to a reimagined origin and afterlife—editor and translator Nazry Bahrawi brings together an exciting selection of never-before translated and new Malay spec-fic stories by established and emerging writers from Singapore. Especially in an anglophone-dominated genre, very little of Malay speculative fiction from Singapore is known to readers here and beyond. Yet contemporary Bahasa literature here is steeped in spec-fic writing that can account as a literary movement (aliran)—and unmistakably draws from the minority Malay experience in a city obsessed with progress.