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The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.
Six Maladies of the Contemporary Spirit undertakes an analysis of history, culture and the individual in terms of what Noica describes as the fundamental precariousness of Being. From the level of inanimate matter to that of the human spirit, Being does not reside inertly in the logical categories of universal/general/particular/individual and determinations we employ to define it, but is continually transforming the nexus of relations between them.
In 1930s Bucharest, some of the country’s most brilliant young intellectuals converged to form the Criterion Association. Bound by friendship and the dream of a new, modern Romania, their members included historian Mircea Eliade, critic Petru Comarnescu, Jewish playwright Mihail Sebastian and a host of other philosophers and artists. Together, they built a vibrant cultural scene that flourished for a few short years, before fascism and scandal splintered their ranks. Cristina A. Bejan asks how the far-right Iron Guard came to eclipse the appeal of liberalism for so many of Romania’s intellectual elite, drawing on diaries, memoirs and other writings to examine the collision of culture and extremism in the interwar years. The first English-language study of Criterion and the most thorough to date in any language, this book grapples with the complexities of Romanian intellectual life in the moments before collapse.
National literary histories based on internally homogeneous native traditions have significantly contributed to the construction of national identities, especially in multicultural East-Central Europe, the region between the German and Russian hegemonic cultural powers stretching from the Baltic states to the Balkans. History of the Literary Cultures of East-Central Europe, which covers the last two hundred years, reconceptualizes these literary traditions by de-emphasizing the national myths and by highlighting analogies and points of contact, as well as hybrid and marginal phenomena that tra
5. Actors and contexts
Examines translations by canonical Romanian writers Lucian Blaga, Constantin Noica, and Emil Cioran, arguing that that their works reveal a new, "minor" mode of national identity.
Din cuprins: „Pariul“ eliadian. Romanul conştiinţei nefericite. Mitic şi epic în proza fantastică. Nae Ionescu, Pater et Magister. Itinerariu spiritual, 1927-1949. Istoria religiilor, filozofia istoriei, hermeneutică şi ieşirea din nihilism. Jurnale, memorialistică, confesiuni. Proză autoscopică şi simbolism al experienţei personale
The collection of essays in Secret Agents and the Memory of Everyday Collaboration in Communist Eastern Europe addresses institutions that develop the concept of collaboration, and examines the function, social representation and history of secret police archives and institutes of national memory that create these histories of collaboration. The essays provide a comparative account of collaboration/participation across differing categories of collaborators and different social milieux throughout East-Central Europe. They also demonstrate how secret police files can be used to produce more subtle social and cultural histories of the socialist dictatorships. By interrogating the ways in which post-socialist cultures produce the idea of, and knowledge about, “collaborators,” the contributing authors provide a nuanced historical conception of “collaboration,” expanding the concept toward broader frameworks of cooperation and political participation to facilitate a better understanding of Eastern European communist regimes.
The current transformation of many Eastern European societies is impossible to understand without comprehending the intellectual struggles surrounding nationalism in the region. Anthropologist Katherine Verdery shows how the example of Romania suggests that current ethnic tensions come not from a resurrection of pre-Communist Nationalism but from the strengthening of national ideologies under Communist Party rule. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991. The current transformation of many Eastern European societies is impossible to understand without comprehending the intellectual struggles surrounding nationalism in the region. Anthropologist Katherine Verdery shows how the example of Romania suggests th