Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Report of the Congressional Committees Investigating the Iran/Contra Affair
Contents: The Report: executive summary; Central America; the arms sales to Iran; exposure and concealment; the enterprise; conclusions and recommendations. Also contains the Minority report: the foreign affairs powers of the Constitution and the Iran-Contra Affair; Nicaragua; Iran; disclosure and investigations; putting Congress' house in order; and recommendations. Extensive appendices contain additional views of several Representatives and Senators.
The Real Contra War
The Contra War and the Iran-Contra affair that shook the Reagan presidency were center stage on the U.S. political scene for nearly a decade. According to most observers, the main Contra army, or the Fuerza Democrática Nicaragüense (FDN), was a mercenary force hired by the CIA to oppose the Sandinista socialist revolution. The Real Contra War demonstrates that in reality the vast majority of the FDN’s combatants were peasants who had the full support of a mass popular movement consisting of the tough, independent inhabitants of Nicaragua’s central highlands. The movement was merely the most recent instance of this peasantry’s one-thousand-year history of resistance to those they saw ...
Contra Cross
Why does the United States have such difficulty dealing with insurgency? A look back at the Central American wars of the 1980s sheds light on the problem. Contra Cross presents one young American officer's journey through Central America's violent decade of revolution and counterrevolution. Bill Meara started out as a teacher at a Catholic school in Guatemala, but he went on to become one of fifty-five U.S. military advisers assisting the Salvadorans in their fight against communism. By the end of the decade, he was in the U.S. Foreign Service working as a liaison officer to the Nicaraguan contras. Meara was one of very few Americans to work on both sides of insurgency in the region: in El S...
Mexploitation Cinema
Thanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways. This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.
