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Body of Work
Poetry. Women's Studies. "I once wrote to a poetry advice column because I was afraid of my emotions and the havoc they wreaked on me. I called them 'a huge problem' but Diana Hamilton comforted me and wrote: 'Feeling pleasure is a legitimate way of developing as a person-writer!' We got a kitten and I tried to write poems for her. Or some other (many) times I had a thought and realised I shouldn't say it out loud only to find myself speaking it. When these turned to poems. Could there be a poet in the sense of a hare or another graceful creature or perhaps bitter and less warm-blooded..."--Elena Gomez
That Sight
Poetry. Literary Nonfiction. Asian & Asian American Studies. Middle Eastern Studies. Women's Studies. "As I discovered in putting this collection together, the central impulse in my poetry is duality--what it means to be both body and spirit, alone and together, certain and unsure, permanent and still so temporary. I have spent much time trying to reconcile these opposing states within myself, ultimately, and very personally, so that I can live with some degree of honour. I hope THAT SIGHT exposes the humanness of this endeavour, grappling with the limits of either / or to arrive, momentarily, at the broader expanses of also / and."--Marjon Mossammaparast
Calenture
Poetry. Literary Nonfiction. Women's Studies. "Calenture. The first time I heard the word, I saw her diving. From the cliffs of Kuttawa, her long arc into the lake they flooded a town to create. A fever so verdant it calls you by name. The water was vaguely green-edged that summer. Some algal bloom, which never hindered my sister. I never jumped. Not then. Years later, the fever came for me, blind in her wake. It called me by her name. "Poe said 'the death of a beautiful woman is, unquestionably, the most poetical topic in the world.' I don't want it to be true, but here we are. Every elegy needs an author. And then, an autopsy. "In the decade after she died, my poetry became diagnostic, arc...
Late Murrumbidgee Poems
Poetry. Literary Nonfiction. Indigenous Studies. LGBTQIA Studies. "It is twenty years since Night Song and Other Poems was published. That was a poetic recording of my journey from childhood, through adolescence, marriage and a return to Australia from twelve years in Aotearoa New Zealand. The foci in that book--identity, family, childhood--were deliberately occluded. My sexuality, in the 1980s of its writing, was presented as though I was at the time a straight man coming to terms with my Wiradjuri heritage. I skirted around Aboriginal politics and identity. No more. The journey continues in this book and I, as tour guide, take you to unvisited, secret places that were definitely not seen t...
Bush Mary
Poetry. Indigenous Australian Poetry. When Teena McCarthy told me she had constructed this book from poems, lines, phrases and images that she had written on odd-sized pieces of paper and had gathered them until they formed a manuscript, I immediately thought of Emily Dickinson, who also wrote many of her poems on the backs of envelopes and scraps that had been used as shopping lists. The connection is not far-fetched: McCarthy connects startling images to form intense visions that vibrate with arresting music. The poems in BUSH MARY work on multiple levels 'Äì woven from history, life experience and metaphor are visionary chords made of words. Images appear gradually, sometimes over sever...
About the Author Is Dead
Poetry. Art. Film. Music. "Paul Bowles said 'whatever one writes is in a sense autobiographical, of course. Not factually so, but poetically so.' The poems here connect with nerves in bodies, pixels on screens, letters in words and the air's water content. There are unwitting dialogues with texts gone before; texts that have floated into the spaces I travel--online, on a bookshelf, in a dream, a film, another country, on the television. "I process them they process me. "They mingle with the ways I experience social and political currents (somewhere between solid and liquid: despair and hope). I try things, and sometimes something happens. "Now, these poems float in this book for you to process for them to process you."--Pascalle Burton
Look!
'My poems are visual representations of reading. I imagine the context of the linguistic event, and within that make one gesture. To work through an idea may take many separate gestures, producing something like variations.' -- Alex Selenitsch Widely exhibited artist, architect and concrete poet Alex Selenitsch explores the graphic potential of language in striking sequences of concrete poetry. 'Selenitsch's cross-disciplinary practice blurs the boundaries between poetry, visual art and design. His compositions focus our attention on our habitual mode of looking and reading; they invite us to look, hear and conceive our designed world afresh.' -- D J Huppatz
The Open
Poetry. Fiction. Literary Nonfiction. Asian & Asian American Studies. Women's Studies. Introduction by Merlinda Bobis. All doors are open in Lucy Van's poetry. Ingress and egress are multiple, even coincident. We've just touched what's here, or are about to touch it, when apprehension is quickly unsettled, halted or reconfigured. Because we're only passing through a door or another door is opening, as the poet offers: 'Another thought though (and oh, I think about how thought and though are very similar words).' Hers is a liminal though. Between what's touched and what's yet to be touched. Site of frisson. Contention. Then insight. "The book opens to Hotel Grand Saigon: 'I have gone back and...
The Singer and Other Poems
In this new collection by a seasoned master, Kim Cheng Boey moves between Singapore and Australia, youth and middle age - places and times rendered in vivid, sensory detail - to give a haunting exploration of memory and the emigrant experience: departures and arrivals; family and home; exile, longing and loss. 'When I was younger, poetry carried me posthaste, high on the fuel of experience and freshness of thought. Now I move in slow time, listen to the poem as I carry it, and let memory tell me where to go.' -- Kim Cheng Boey 'In this work of a mature artist, Kim Cheng Boey's characteristic style - literary, allusive, with a flâneur's sensibility - is on full display.' -- Shirley Geok-lin Lim
Koel
Poetry. Crawford tills the ecological value of mnemonic and affective archives where an early subjective attachment to the natural overcomes exploitative human-nature relationships. KOEL creates a third mindscape that explores cohabitant intimacies across species within the warm and dewy contexts of childhood memory, adolescent desire, and the adult effort to survive without harming other creatures."
