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The Effects of Impartiality Disclosure on Brand Objectives for No and Multiple Product Endorsements
Regulation stipulates that social media Influencers on Instagram need to disclose sponsorship information when a relationship exists between the brand and the influencer. While influencers may simply use the Instagram disclosure label “Paid partnership with brand X”, others add additional messages or hashtags which express that the opinions voiced in Instagram posts are honest. This study examines how emphasizing “honest opinions” in sponsored and not sponsored Instagram posts affects consumers’ responses. Second, it explores if the influencers endorsing multiple products moderates the relationship between impartiality disclosure and credibility or ad perception. The results found ...
Crisis and Criticism
Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming.
The Little Communist Who Never Smiled
The Montreal Olympics, 1976. A fourteen-year-old girl steps out onto the floor of the Montreal Forum and into history. Twenty seconds on the uneven bars is it all it takes for Nadia Comaneci, the slight, unsmiling child from Communist Romania, to etch herself into the collective memory. The judges award her an unprecedented perfect ten, the first in Olympic gymnastics. In The Little Communist Who Never Smiled, Lola Lafon weaves an intricate web of truth and fiction around Comaneci's life, from her discovery by legendary gymnastics coach Béla Károlyi up to her defection to the United States in 1989. Adored by young girls in the West and appropriated as a political emblem by the Ceausescu regime, Comaneci was a fearless, fiercely determined child whose body would become a battleground in the Cold War story of East against West. Lafon's novel is a powerful re-imagining of a childhood in the spotlight of history, politics and destiny.
Hope Is of a Different Color
The history of film students from the Global South who studied in Poland during the Cold War. As Poland’s second-largest city, Łódź was a hub for international students who studied in Poland from the mid-1960s to 1989. The Łódź Film School, a member of CILECT since 1955, was a favored destination, with students from Africa, Latin America, and the Middle East accounting for one-third of its international student body. Despite the school’s international reputation, the experience of its filmmakers from the Global South is little known beyond Poland. Hope Is of a Different Color addresses the history of student exchanges between the Global South and the Polish People’s Republic duri...
The ABC of the projectariat
The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines.
International Women Stage Directors
A fascinating study of women in the arts, International Women Stage Directors is a comprehensive examination of women directors in twenty-four diverse countries. Organized by country, chapters provide historical context and emphasize how social, political, religious, and economic factors have impacted women's rise in the theatre, particularly in terms of gender equity. Contributors tell the stories of their home country's pioneering women directors and profile the most influential women directors practicing today, examining their career paths, artistry, and major achievements. Contributors are Ileana Azor, Dalia Basiouny, Kate Bredeson, Mirenka Cechová, Marié-Heleen Coetzee, May Farnsworth, Anne Fliotsos, Laura Ginters, Iris Hsin-chun Tuan, Maria Ignatieva, Adam J. Ledger, Roberta Levitow, Jiangyue Li, Lliane Loots, Diana Manole, Karin Maresh, Gordon McCall, Erin B. Mee, Ursula Neuerburg-Denzer, Claire Pamment, Magda Romanska, Avra Sidiropoulou, Margaretta Swigert-Gacheru, Alessandra Vannucci, Wendy Vierow, Vessela S. Warner, and Brenda Werth.
Migration Studies and Colonialism
The history of migration is deeply entangled with colonialism. To this day, colonial logics continue to shape the dynamics of migration as well as the responses of states to those arriving at their borders. And yet migration studies has been surprisingly slow to engage with colonial histories in making sense of migratory phenomena today. This book starts from the premise that colonial histories should be central to migration studies and explores what it would mean to really take that seriously. To engage with this task, Lucy Mayblin and Joe Turner argue that scholars need not forge new theories but must learn from and be inspired by the wealth of literature that already exists across the world. Providing a range of inspiring and challenging perspectives on migration, the authors’ aim is to demonstrate what paying attention to colonialism, through using the tools offered by postcolonial, decolonial and related scholarship, can offer those studying international migration today. Offering a vital intervention in the field, this important book asks scholars and students of migration to explore the histories and continuities of colonialism in order to better understand the present.
